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Meadows Museum

Queen Mariana

Diego Velázquez

Diego Velázquez’s portrait of Queen Mariana (c. 1656) captures the young queen with sensitivity, highlighting her regal authority and personal nuance. Painted during her early years as Philip IV’s wife, it is part of a series of likenesses that served as studies for larger compositions. These studies influenced other works, including those in Barcelona and Madrid.

Pinacoteca Ambrosiana

Adoration of the Christ Child

Bramantino

In this tempera panel (c. 1485), the Milanese innovator arranges the Nativity as a cool study of space. The Child rests on a stone slab, flanked by Mary and Saints Bernardino, Francis, and Benedict, while angel musicians provide a celestial motet. Rigid perspective, sculptural figures, and an architectonic backdrop reveal Bramantino’s quest for mathematical order within devotional feeling.

Palace of the Inquisition

The Lagoon of Peace

Jorge Alberto Smith Ellas

This 2021 oil and acrylic painting evokes serenity and ancestral rhythm. A golden twilight bathes the rural scene, where everyday life unfolds by a calm lagoon. The composition speaks to Colombia’s Pacific and Caribbean heritage, honoring peace through stillness, memory, and connection to the land.

Chiesa di Gesù

Triumph of the Name of Jesus

Giovanni Battista Gaulli

This dramatic fresco (1676–79) fills the nave ceiling with a celestial eruption of light and figures. At its center, divine radiance emanates from the monogram IHS, the symbol of Jesus. Saved souls rise toward the light, while sinners tumble into shadow. Blending paint and stucco, the work fuses heaven and church in Baroque theatricality.

Palacio de Bellas Artes

Lenin and the Workers (detail)

Diego Rivera

In this vivid section of Man, Controller of the Universe (1934), Lenin extends his hand to unite workers of different races and backgrounds. His central placement amid galaxies and scientific motifs reflects Rivera’s belief in a revolutionary, rational future led by socialist ideals and global class solidarity.

Pinacoteca Ambrosiana

Portrait of a Musician

Leonardo da Vinci

This intimate oil on panel (c. 1485) is Leonardo da Vinci’s only known male portrait. Likely depicting a court musician in Milan, the sitter clutches a sheet of music, suggesting both profession and intellect. The unfinished lower section contrasts with the intense gaze, highlighting Leonardo’s interest in capturing psychological presence over ornamental finish.

Franciscan Museum Fray Pedro Gocial

Isabel de Santiago

Archangel Gabriel

This early 18th-c. work by Isabel de Santiago—a rare female artist of the Quito School—portrays Gabriel as a celestial messenger of abundance. Draped in luminous textiles, the archangel holds a cornucopia, blending classical fertility symbols with baroque angelology in a uniquely Andean devotional image.

Raphael - The Disputation of the Sacrament

Christ in Glory (detail)

Raphael

The radiant figure of the risen Christ (1508–10) crowns the celestial register of The Disputation of the Sacrament. His raised hand and visible wounds recall both his Passion and his role as judge at the end of time. Encircled by golden rays, he visually affirms the doctrine of the Eucharist as the enduring, real presence of Christ.

Basílica and Convent of San Francisco

The Last Supper (with Cuy)

Diego de la Puente

De la Puente’s 1658 painting uniquely blends Spanish colonial art with Peruvian culture. It depicts Jesus and his disciples eating cuy (guinea pig), a local delicacy, instead of lamb. This substitution reflects how Catholic imagery was adapted to local customs, offering a clear example of the visual and cultural hybridization that shaped colonial Peru.

Pinacoteca Ambrosiana

Machine for Polishing Mirrors

Leonardo da Vinci

This technical drawing (c. 1490) shows Leonardo’s device for polishing concave mirrors, likely used in optical or experimental studies. Its mechanism demonstrates advanced knowledge of geometry, motion, and material tension. The design reflects his pursuit of instruments that could extend human perception through mechanical precision.

Museo Luis Alberto Acuña

Choir of Novices

Luis Alberto Acuña

This sculptural group by Luis Alberto Acuña (1970s) depicts a choir of young novices led by a conductor, rendered in white plaster. Positioned in the courtyard of Casa Museo Acuña, it captures themes of spiritual education, harmony, and discipline. The rigid poses and minimalist forms evoke a timeless reverence, bridging artistic expression with monastic tradition.

Rodin Museum

The Cathedral

Auguste Rodin

This 1908 sculpture features two right hands reaching towards each other, symbolizing connection and unity. Initially named The Arch of Alliance, it was inspired by Gothic cathedral rib vaults and renamed in 1914. The texture and interplay of light and shadow evoke prayer and contemplation. This work marks Rodin’s shift from realism to modernism, emphasizing emotional depth over physical form.

Galleria Borghese

The Council of the Gods

Giovanni Lanfranco

Lanfranco’s grand ceiling fresco (1624–25) fills the Sala della Loggia with divine spectacle. Jupiter reigns at the center, surrounded by Roman deities including Venus, Mars, Pluto, and Juno. Designed to dissolve architectural limits, the illusionistic sky transforms the ceiling into a heavenly theater of Baroque power and myth.

Independence Museum

Champán en el río Magdalena

De la Rue & Torres Méndez

This 1878 lithograph depicts a champán, a flat-bottomed river raft common on the Magdalena River, propelled by Afro-Colombian workers using long poles. Wealthy passengers rest under a thatched shelter, highlighting the stark racial and class divisions of the era. The image captures both Colombia’s natural landscape and its colonial labor hierarchies in transition.

Château de Chantilly

Arab Chieftains in Council

Horace Vernet

This 1834 work depicts Arab chieftains in council, likely discussing tribal matters or alliances. Vernet, a French artist known for battle scenes and Orientalist themes, illustrates the 19th-c. European interest in the Orient. The painting reflects the complex interplay of art, culture, and imperialism of the era.

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Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

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