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Cryptoporticus
Cryptoporticus
Maritime Theatre Complex
Maritime Theatre Complex
Ants Devouring a Scorpion
Ants Devouring a Scorpion
Landscape of Hadrian’s Villa
Landscape of Hadrian’s Villa
Hermes Statue at the Canopus
Hermes Statue at the Canopus
Landscape at Hadrian’s Villa
Landscape at Hadrian’s Villa
Ancient Roman Vaulted Corridor
Ancient Roman Vaulted Corridor
Canopus Pool Complex
Canopus Pool Complex
Canopus and Serapeum
Canopus and Serapeum
Decorative Coffered Ceiling Panel
Decorative Coffered Ceiling Panel
Nile and Tiber River Gods
Nile and Tiber River Gods
Cryptoporticus with Skylights
Cryptoporticus with Skylights
Service Passage
Service Passage
Cryptoporticus
Cryptoporticus
The Maritime Theatre
The Maritime Theatre
Exit of the Subterranean Passage
Exit of the Subterranean Passage
Temple Façade of the Piazza d’Oro
Temple Façade of the Piazza d’Oro
Maritime Theatre
Maritime Theatre
Canopus Pool Complex
Canopus Pool Complex
Caryatids and Silenus
Caryatids and Silenus
Circular Temple Ruin
Circular Temple Ruin
Model of Hadrian’s Villa
Model of Hadrian’s Villa
Coffered Ceiling Panel
Coffered Ceiling Panel

Tivoli

473
Tivoli, ancient Tibur, clings to the Tiburtine Hills above the Aniene River, where waterfalls and travertine made the town both defensible and desirable. Romans and later popes used it as a cooler counterpoint to Rome, and its landscape became a stage for power expressed through architecture and water. Hadrian’s Villa (2nd c.) spreads as an imperial microcosm, while Villa d’Este (16th c.) turns a cardinal’s ambition into fountains and frescoed rooms—together defining Tivoli’s wider image as a place where nature is disciplined into memory.
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