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Frida Kahlo Museum
~Chapultepec CastleFrida Kahlo MuseumNational Museum of AnthropologyPalace of Fine ArtsTemplo MayorTeotihuacan
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Painted Orthopedic Corset
Painted Orthopedic Corset
Viva la Vida (Watermelons)
Viva la Vida (Watermelons)
Self-Portrait with Stalin
Self-Portrait with Stalin
Frida Kahlo’s Deathbed
Frida Kahlo’s Deathbed
Frida Kahlo’s Traditional Outfits
Frida Kahlo’s Traditional Outfits
Kitchen of the Blue House
Kitchen of the Blue House
Frida Kahlo’s Painting Setup
Frida Kahlo’s Painting Setup
Lenin and “¡Sade, Irenka, Bohemia!”
Lenin and “¡Sade, Irenka, Bohemia!”
Communist Icons Above the Bed
Communist Icons Above the Bed
Frida Kahlo’s Painting Studio
Frida Kahlo’s Painting Studio
Who Needs Feet When I’ve Got Wings to Fly
Who Needs Feet When I’ve Got Wings to Fly
Frida Kahlo’s Canopy Bed and Artifacts
Frida Kahlo’s Canopy Bed and Artifacts
Frida Kahlo’s Final Resting Place
Frida Kahlo’s Final Resting Place
Family Portrait Hallway
Family Portrait Hallway
Frida’s Sitting Room with Folk Art Accents
Frida’s Sitting Room with Folk Art Accents
Frida and Diego’s Dining Table
Frida and Diego’s Dining Table
Frida’s Embroidered Pillow
Frida’s Embroidered Pillow
Still Life
Still Life
Frida Kahlo’s Medicine Bottles
Frida Kahlo’s Medicine Bottles
Frida's Garden
Frida's Garden
Frida Kahlo’s Personal Adornments
Frida Kahlo’s Personal Adornments
Symbols of Conviction and Pain
Symbols of Conviction and Pain
Pre-Hispanic Pyramid in Frida’s Garden
Pre-Hispanic Pyramid in Frida’s Garden
Diego Rivera’s Overalls and Hat in the Bedroom
Diego Rivera’s Overalls and Hat in the Bedroom

Frida Kahlo MuseumMuseo Frida Kahlo

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Frida Kahlo Museum is La Casa Azul in Coyoacán, the cobalt-painted home where Kahlo was born in 1907 and later lived and worked with Diego Rivera amid long illness and injury. After her death in 1954, Rivera kept the house and garden largely intact and opened it as a museum in 1958, preserving a domestic world where folk craft, pre-Hispanic objects, and revolutionary politics were part of everyday life. More than a shrine, it shows how Kahlo turned private pain into a public language of Mexican identity.
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Mexico City
National Museum of Anthropology

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