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Museo Botero

Christ and the Centurion of Capernaum

Master of Adoration of Amberes

This Northern Renaissance panel (1520–30) captures the moment a Roman centurion asks Christ to heal his servant, saying Lord, I am not worthy. The scene blends biblical narrative with contemporary Flemish attire, highlighting faith over status. The expressive gestures and rich details emphasize humility and the universal appeal of compassion, reflecting the era's fusion of religious and cultural elements.

Raphael - The School of Athens

Raphael and Perugino (detail)

Raphael

This section of The School of Athens (1509-11) features a rare self-portrait of Raphael (center) alongside his teacher Perugino (right). Originating from the Italian High Renaissance, the work subtly inserts the artist into the legacy of classical knowledge, aligning painters with philosophers as bearers of intellectual ideals.

Museo Luis Alberto Acuña

Mapiripana

Luis Alberto Acuña

Inspired by a myth from La Vorágine (a novel by José Eustasio Rivera), this 1950s painting depicts Mapiripana, a river spirit who guards silence and nature’s purity. When a missionary attempts to capture her, she punishes him by birthing monstrous twins—a vampire and an owl. In his final feverish agony, he sees a blue butterfly, symbol of his soul’s escape and eternal remorse.

Palace of the Inquisition

The Lagoon of Peace

Jorge Alberto Smith Ellas

This 2021 oil and acrylic painting evokes serenity and ancestral rhythm. A golden twilight bathes the rural scene, where everyday life unfolds by a calm lagoon. The composition speaks to Colombia’s Pacific and Caribbean heritage, honoring peace through stillness, memory, and connection to the land.

Rembrandt House Museum

Bust of a Bearded Old Man

Rembrandt

This painting (c. 1630) by Rembrandt van Rijn exemplifies the tronie genre, focusing on character over identity. The expressive face of the elderly man, rendered in oil on panel, showcases Rembrandt’s mastery of light and shadow. As one of his smallest works, it explores themes of old age, capturing the nuances of human expression and emotion, marking an early exploration of the artist’s fascination with the human condition.

Tintoretto, Birth of a Genius

Adam and Eve in the Garden of Eden

Tintoretto

Tintoretto’s work (1550–1553) depicts the biblical moment of temptation in the Garden of Eden. Eve, holding the forbidden fruit, entices Adam, who hesitates, capturing the tension between desire and conscience. The background suggests their impending expulsion, a consequence of their choice. Dramatic lighting highlights the figures, emphasizing their forms and the scene’s gravity.

Museo de Arte Moderno

Retrato alegórico de la injusticia

Dustín Muñoz

In his powerful Allegoric Portrait of Justice (2018), Muñoz portrays a masked judge seated atop chaos, weighing gold bars against an empty scale. His gavel and gas mask signal institutional blindness and moral decay. Painted in acrylic on canvas, the work denounces injustice as systemic, silencing truth and privileging wealth over human life.

Galleria Borghese

Roman Civilization and the Heroic Virtue of Honor

Mariano Rossi

This illusionistic ceiling (1775) shows a vortex of gods, heroes, and allegorical figures arranged in rising spirals. Rossi organized the composition with deep foreshortening to create a theatrical Baroque panorama. The central burst of light frames scenes of conflict and ascent, indicating how Roman culture linked civic honor with collective greatness.

Mythical Vases: The Heroes of the Jatta National Museum

Pentheus Attacked by Bacchic Women

The Oxford Group Workshop

This Apulian red-figure plate (360–350 BC) shows Pentheus arming himself against Dionysus’ cult. In myth, he is seized by Bacchic women, including his mother Agave, who mistake him for prey and tear him apart. The scene warns against impiety and defying divine power, embodying the tragic cost of resisting Dionysian ecstasy and communal worship.

Pinacoteca Ambrosiana

Christ Blessing

Bernardino Luini

In this serene image of Christ (c. 1520), Luini captures divine benevolence with a gentle gesture of blessing. The soft modeling of features, rich red garment, and delicate curls echo Leonardo da Vinci’s influence, yet Luini’s style emphasizes a tranquil spirituality. The raised hand unites authority with compassion, inviting personal devotion.

Duomo di Milano

Altar of Saint John Bono

Elia Vincenzo Buzzi

This monumental altar (c. 1763) in the Milan Cathedral honors Saint John Bono, a 13th-c. bishop known for his piety and service. The central figure is framed by angels and crowned by the inscription Ego sum pastor bonus (I am the Good Shepherd), evoking Christ-like compassion and episcopal authority.

Tintoretto, Birth of a Genius

Judith Beheading Holofernes

Jacopo Tintoretto

This painting (c. 1577) by the studio of Jacopo Tintoretto depicts the biblical scene where Judith beheads Holofernes, an Assyrian general, to save her people. Executed in the Mannerist style, it emphasizes tension and emotion, typical of the Late Renaissance. The scene symbolizes courage and divine justice, reflecting the era’s interest in heroic narratives.

Villa Farnesina

The Wedding Banquet of Cupid and Psyche

Raphael

In this grand fresco (1518), Raphael depicts the divine banquet celebrating the marriage of Cupid and Psyche. At the center, Jupiter and Juno preside; beside them sit Pluto, Persephone, Neptune, and Venus. Ganymede offers wine to Jupiter, while Bacchus (Dionysus), assisted by putti, pours wine at the right. The scene embodies divine harmony, joy, and the union of soul and love.

Museo Botero

Leda and the Swan

Fernando Botero

This 1996 bronze sculpture reinterprets the myth in which Zeus, king of the gods, seduces or assaults Leda, Queen of Sparta, in the form of a swan. From their union, according to legend, were born Helen of Troy and other heroic figures. Botero’s voluptuous forms soften the myth’s violence, transforming it into a surreal, sensual tableau. His signature style invites reflection on desire, divinity, and the boundary between seduction and power.

Tintoretto, Birth of a Genius

Self-Portrait

Tintoretto

This self-portrait (1546–48) by Tintoretto, a leading figure of the Venetian Renaissance, presents the artist with an intense, direct gaze that suggests introspection and resolve. The subdued palette and earthy tones create a solemn mood, yet the brisk, energetic handling of paint hints at the dramatic style that defined his larger works. Emphasizing inner character over setting, the portrait later entered the Orleans Collection and was acquired for Marie Antoinette in 1785.

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Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

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