Dutch Cabinet with Prodigal Son Scenes
Dutch Cabinet with Prodigal Son Scenes
Delft Tiles.
Delft Tiles.
The Prodigal Son Indulging in Excess
The Prodigal Son Indulging in Excess
17th Century Delft Tiles with Cupid
17th Century Delft Tiles with Cupid
Delft Tiles with Rural Scenes and Games
Delft Tiles with Rural Scenes and Games
Delft Tiles with Cherubs and Cupids
Delft Tiles with Cherubs and Cupids
The Return of the Prodigal Son
The Return of the Prodigal Son
Delft Tiles with Children’s Games
Delft Tiles with Children’s Games
Delft Tiles with Children at Play
Delft Tiles with Children at Play
Children at Play on Delft Tiles
Children at Play on Delft Tiles
The Prodigal Son’s Departure
The Prodigal Son’s Departure
Delft Tiles with Cherubs and Children
Delft Tiles with Cherubs and Children
17th-Century Dutch Box Bed
17th-Century Dutch Box Bed
17th-Century Delft Animal Tiles
17th-Century Delft Animal Tiles
Engraving of Amsterdam’s Hidden Churches
Engraving of Amsterdam’s Hidden Churches
17th-Century Delft Animal Tiles
17th-Century Delft Animal Tiles
Expulsion of the Prodigal Son
Expulsion of the Prodigal Son
Delft Tiles with Children’s Games
Delft Tiles with Children’s Games
17th-Century Collector’s Room Interior
17th-Century Collector’s Room Interior
The Charity of Saint Nicholas
The Charity of Saint Nicholas
The Prodigal Son Parable Panel
The Prodigal Son Parable Panel
Pottery Collected in the Cesspit
Pottery Collected in the Cesspit
Kitchen of Museum Ons Lieve Heer op Solder
Kitchen of Museum Ons Lieve Heer op Solder
Delft Tile with Men Clinking Glasses
Delft Tile with Men Clinking Glasses
17th Century Delft Winter Tiles
17th Century Delft Winter Tiles
17th-Century Delft Tiles with Children
17th-Century Delft Tiles with Children

Our Lord in the Attic MuseumOns' Lieve Heer op Solder

4135
Our Lord in the Attic Museum preserves one of Amsterdam’s most eloquent schuilkerk (hidden church ) stories: a Catholic sanctuary built in 1661–63 atop a 17th c. canal house, when public worship was barred. Reached through tight domestic rooms lined with Delft tiles and everyday objects, the attic church opens suddenly into a richly painted space where faith endured in private. Opened as a museum in 1888, it remains a lucid reminder of Dutch Golden Age pragmatism, devotion, and negotiated tolerance.