Pentheus Attacked by Bacchic Women
Greek Warrior and Amazon in Combat
Achilles Battles Penthesilea
Orestes and Apollo at Delphi
Herakles Fighting an Amazon
Aphrodite Carried by Winged Erotes
Orestes Pursued by the Furies
The Garden of the Hesperides
The Capture of the Cretan Bull
Zeus and Warrior on a Krater
Punishment of Pirithous
Apollo and Marsyas Contest Scene
Apollo and Artemis Avenging Leto
Peleus Abducting Thetis
Lycurgus Killing His Son in Madness
Jason and the Argonauts Rescuing Phineus
Adonis and the Goddesses
The Unveiling of the Bride
Silenos Riding a Donkey
Dionysus and the Dance of Desire
Heracles and the Golden Cup
Helen Adorned by Attendants
Drunken Satyr
Niobids in Flight and Death
Boreads Chasing Harpies
Hunter and Hound
Jason Receives the Magic Helmet
The Argonauts in Council
Nuptial Lebes of Helen and Paris
Perseus Defeats Medusa
Thetis and the Nereids Bring Achilles’ Arms
Love Spell with an Iynx Wheel
Theseus Captive in the Underworld
Banqueters
Swabian Castle of BariCastello Svevo di Bari
Bari (known as the Roman town of Barium by the 3rd c. BC) is often perceived as Apulia’s pragmatic capital: less polished than Italy’s showcase cities, yet quietly assured as a working gateway to the Adriatic. Arrival feels maritime and direct—bright seafront light, ferries, traffic—before the sudden compression of the old town’s pale stone lanes, where daily life runs close to the walls. Near the water, Castello Svevo stands like stern punctuation, a fortress that makes the city feel both open to routes and alert to them.
Successive powers in southern Italy left Bari with an identity shaped by control as much as commerce, and the castle’s Norman origins and later rebuilding under Frederick II still read as architecture of authority rather than display. Today the city balances port labor, administration, and a steady flow of visitors without turning into a stage set; street-level sociability remains the dominant texture, and food tends toward direct, unfussy flavors. In the castle’s courtyards and vaulted rooms, now used for exhibitions, Bari’s layered past stays in circulation instead of being sealed behind its walls.
Successive powers in southern Italy left Bari with an identity shaped by control as much as commerce, and the castle’s Norman origins and later rebuilding under Frederick II still read as architecture of authority rather than display. Today the city balances port labor, administration, and a steady flow of visitors without turning into a stage set; street-level sociability remains the dominant texture, and food tends toward direct, unfussy flavors. In the castle’s courtyards and vaulted rooms, now used for exhibitions, Bari’s layered past stays in circulation instead of being sealed behind its walls.
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