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Museo de Arte Moderno

It’s Not Where You Come From, but Where You’re Going

Ramón Calcaño

This oil painting (2018), entitled No importa de dónde vienes, sino hacia dónde vas, Calcaño presents a vast view of informal housing. Central to the scene is a figure holding books, emerging from the margins. The work highlights resilience and the transformative power of education, emphasizing the pursuit of a better future beyond one's origins.

Fondation Louis Vuitton

Sudden Awakening

Zhang Huan

This large Buddha head sculpture (2006) lies fragmented on the ground, its heavy upper section slightly shifted above closed eyes and rough, ash-coated features. Formed from ash and steel, it draws on materials linked to ritual burning and industrial residue. The broken, weighty face reveals how contemporary Buddhist art confronts impermanence and the tension between spiritual ideals and material collapse.

Castello Sant'Angelo

Emperor Hadrian

Girolamo Siciolante da Sermoneta (attrib.)

This 16th-c. fresco from the Sala Paolina depicts Emperor Hadrian in idealized Roman military attire. Portrayed with commanding calm, Hadrian stands framed by classical architecture and winged putti, symbolizing both earthly rule and divine favor. The work affirms his legacy as builder, humanist, and guardian of imperial order—within the very mausoleum he commissioned.

Raphael - The Disputation of the Sacrament

Christ in Glory (detail)

Raphael

The radiant figure of the risen Christ (1508–10) crowns the celestial register of The Disputation of the Sacrament. His raised hand and visible wounds recall both his Passion and his role as judge at the end of time. Encircled by golden rays, he visually affirms the doctrine of the Eucharist as the enduring, real presence of Christ.

Palacio de Bellas Artes

Man, Controller of the Universe

Diego Rivera

This monumental mural (1934) shows a central worker operating a machine that aligns planetary, biological, and industrial forces. Rivera recreates and expands his destroyed Rockefeller Center fresco for a Mexican audience, filling the scene with scientists, workers, and political leaders. The contrast between capitalist luxury and organized labor articulates his Marxist belief that technology should serve collective progress.

Pinacoteca Ambrosiana

Madonna del Padiglione

Sandro Botticelli

This tempera painting (c. 1493) shows the Virgin Mary adoring the Christ Child beneath a luxurious red canopy, assisted by angels. Botticelli fuses spiritual intimacy with courtly elegance. The open book and flowering symbols evoke divine wisdom and purity, while the tent references the tabernacle—God’s dwelling among humanity.

Galleria Borghese

Apollo and Daphne

Bernini

Seen from behind, Bernini’s Apollo and Daphne (1622–25) reveals the spiraling tension of flight and pursuit. Daphne’s transformation accelerates—branches burst from her hair as Apollo strains forward, barely grounded. This angle heightens the illusion of motion, capturing the myth’s fleeting climax with lyrical virtuosity.

Galleria Spada

A Man with a Glove

Titian

This introspective portrait (c. 1515) captures a bearded man in mid-turn, scroll in hand, his gaze piercing yet reserved. Rendered with Venetian richness, the work highlights the sitter’s intellect and social poise. The subtle play of light on fabric and flesh reveals Titian’s early mastery of psychological depth and painterly nuance.

Hôtel-Dieu

Archangel Michael Weighing Souls

Rogier van der Weyden

Detail from the Last Judgment Altarpiece (1445–50), created for Beaune’s Hôtel-Dieu. Archangel Michael holds scales to weigh souls, his calm gaze contrasting with the cosmic drama around him. Trumpeting angels herald resurrection, while Michael’s jeweled vestments and red wings embody divine authority. For the hospital’s patients, this image linked earthly suffering to the hope of eternal salvation.

Caravaggio's Roman Period

The Crowning with Thorns

Caravaggio

This painting (1602–04) depicts Christ humiliated before crucifixion. Crowned with thorns and bound, he stands in silent suffering as soldiers force the reed into his hand and mock him as king. Caravaggio’s harsh chiaroscuro strips away grandeur, presenting raw cruelty and dignity in contrast. The work confronts viewers with the violence of power and the endurance of faith.

Santa Maria in Aracoeli Basilica

Musical Angels (detail)

Pinturicchio

In this detail (1484–86), Pinturicchio paints two angelic musicians, one playing a violin and the other a wind instrument. Floating on clouds, they contribute to the celestial harmony surrounding Christ in Majesty. The graceful movement of their garments reflects Pinturicchio’s refined sense of rhythm, light, and divine celebration.

Exhibit of Master of Flammelle & Rogier van der Weyden

Christ Blessing with Virgin at Prayer

Master of Flémalle

This 15th-c. oak panel by the Master of Flémalle, often associated with Robert Campin, exemplifies early Netherlandish style. It showcases realistic detail through innovative oil paint use. The depiction of Christ blessing and the Virgin Mary at prayer reflects the era’s religious devotion and artistic innovation, marking a pivotal moment in European art’s evolution.

Keith Haring Mural

Tuttomondo

Keith Haring

This section of Tuttomondo (1989) showcases Keith Haring’s vibrant visual language with simplified human forms, radiant lines, and vivid colors in rhythmic harmony. The mural, painted in Pisa, celebrates peace and collective action, with each figure symbolizing a social or spiritual force working toward global unity. Haring’s work demonstrates the power of art to convey universal themes of cooperation and harmony.

Villa Farnesina

Fame and Medusa's Victims

Baldassarre Peruzzi

This fresco (1511) shows Fame soaring through the sky, announcing glory with her trumpet. Below, three men and a horse emerge from the clouds, their pallor and stiffness indicating they are victims turned to stone by Medusa's gaze. The composition reflects Renaissance interest in mythology, illustrating the power of reputation and the consequences of divine encounters.

Museo Manuel Felguérez

Loyalty from Los Disparates Series

Francisco Goya

This etching (1815–1823) by Francisco Goya, part of the Los Disparates series, explores themes of chaos and irrationality. Featuring grotesque figures, it suggests blind loyalty or foolishness, reflecting the turbulent era of Ferdinand VII’s reign in Spain. Goya’s use of aquatint and etching techniques enhances dramatic contrasts and textures, providing a dark commentary on the social and political upheavals of his time.

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Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

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