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Villa Farnesina

Venus and the Doves

Raphael

In this fresco (1518), Raphael presents Venus, goddess of love, gracefully accompanied by doves, her sacred birds. The flowing ribbon emphasizes her divine beauty and motion, while the doves allude to purity and erotic desire. The image echoes Venus’ central role in the myth of Cupid and Psyche, where love governs both divine and mortal fates.

Frida Kahlo Museum

Self-Portrait with Stalin

Frida Kahlo

Painted in 1954, right before death, this political work shows Kahlo seated beside an imposing image of Stalin, whom she revered late in life. The portrait—originally titled Peace on Earth so the Marxist Science may Save the Sick and Those Oppressed by Criminal Yankee Capitalism—reflects her Marxist convictions and final artistic ideological defiance.

Pinacoteca Ambrosiana

Machine for Polishing Mirrors

Leonardo da Vinci

This technical drawing (c. 1490) shows Leonardo’s device for polishing concave mirrors, likely used in optical or experimental studies. Its mechanism demonstrates advanced knowledge of geometry, motion, and material tension. The design reflects his pursuit of instruments that could extend human perception through mechanical precision.

Palace of the Inquisition

The Lagoon of Peace

Jorge Alberto Smith Ellas

This 2021 oil and acrylic painting evokes serenity and ancestral rhythm. A golden twilight bathes the rural scene, where everyday life unfolds by a calm lagoon. The composition speaks to Colombia’s Pacific and Caribbean heritage, honoring peace through stillness, memory, and connection to the land.

National Museum of the Philippines

Planting of the First Cross

Vicente Manansala

The painting depicts the 1521 event in Cebu where Ferdinand Magellan and Spanish soldiers, with tattooed natives called pintados, planted a cross. Commissioned for the 400th anniversary of Philippine Christianization in 1965, it captures a pivotal historical moment. Manansala’s transparent cubism blends traditional and modern styles, highlighting cultural convergence. The original cross is a historical artifact in Cebu City.

Galleria Borghese

Pauline Bonaparte as Venus Victrix

Antonio Canova

This statue (1805–08) presents Pauline Bonaparte, sister of Napoleon, as Venus, reclining semi-nude and holding the golden apple of victory. Commissioned by her husband Camillo Borghese, the statue blends neoclassical elegance with sensual myth. Its rotating base once allowed viewers to admire it from every angle.

Bourdelle Museum

Hercules the Archer

Antoine Bourdelle

This plaster sculpture (1906–09) shows Hercules, the Greek hero, drawing his bow with taut energy. Bourdelle captures both physical strain and mythic power, fusing classical subject with modern dynamism. The work marks a turning point in early 20th-c. sculpture, bridging academic tradition with expressive innovation.

Memorial Museum of Dominican Resistance

Silenced by Pain

Ángel Haché

This mixed-media work (2014) uses corrugated cardboard to depict three anguished nude figures pierced through the head by jagged red waves, symbols of auditory torture or psychological trauma. Their tense bodies and gestures of covering their ears suggest helplessness before systemic violence. The scene recalls the enforced silence and invisible suffering experienced under Trujillo’s dictatorship in the Dominican Republic.

Exhibit of Master of Flammelle & Rogier van der Weyden

Christ Blessing with Virgin at Prayer

Master of Flémalle

This 15th-c. oak panel by the Master of Flémalle, often associated with Robert Campin, exemplifies early Netherlandish style. It showcases realistic detail through innovative oil paint use. The depiction of Christ blessing and the Virgin Mary at prayer reflects the era’s religious devotion and artistic innovation, marking a pivotal moment in European art’s evolution.

Museo Luis Alberto Acuña

Chiminigagua Releases Light

Luis Alberto Acuña

Detail from a mural (1960–70s) reimagining the Chibcha creation myth. The supreme god Chiminigagua raises his arms as radiant birds burst forth, bringing light to the cosmos. A glowing sun and celestial rainbow crown the scene, marking the divine act that initiated life and order in the Muisca universe.

Galleria Borghese

Boy with a Basket of Fruit

Caravaggio

This early Baroque painting (c. 1593) merges portraiture with still life, showing Mario Minniti holding a basket of overripe fruit. Caravaggio renders blemishes and textures with unflinching realism. The sensual posture and decaying abundance evoke themes of youthful beauty, ephemerality, and temptation.

Galleria Spada

Perspective Gallery

Francesco Borromini

Created for Cardinal Spada, this architectural illusion (1653) compresses nine meters into an illusion of great depth. By subtly reducing the size of columns, floor tiles, and ceiling coffers, Borromini crafted a vanishing point that evokes grandeur. The statue at the end, appearing monumental, is just 90 cm tall—transforming scale into metaphysical reflection.

Galleria Borghese

The Rape of Proserpina

Bernini

In this masterful marble (1621–22), Bernini captures Pluto’s violent abduction of Proserpina—an allegory for the changing seasons from Roman myth. Her twisting body and anguished face contrast Pluto’s force, while Cerberus, the underworld’s three-headed hound, reinforces the drama. At just 23, Bernini infused the stone with breathless motion and tactile realism, anchoring the Borghese legacy in Baroque brilliance.

Museo Luis Alberto Acuña

Bochica Teaching the Muisca

Luis Alberto Acuña

This 1960-70s mural depicts Bochica, the bearded sage and civilizing hero of Muisca mythology, imparting moral and spiritual lessons. Seated before young disciples, he holds symbols of power and knowledge, including a woven banner. A revered figure, Bochica was believed to have formed the Tequendama Falls and taught the Muisca how to live harmoniously.

Fondation Louis Vuitton

Sudden Awakening

Zhang Huan

This large Buddha head sculpture (2006) lies fragmented on the ground, its heavy upper section slightly shifted above closed eyes and rough, ash-coated features. Formed from ash and steel, it draws on materials linked to ritual burning and industrial residue. The broken, weighty face reveals how contemporary Buddhist art confronts impermanence and the tension between spiritual ideals and material collapse.

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Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

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