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Pantheon

Pantheon with Macuteo Obelisk and Fountain

Filippo Barigioni

The Pantheon’s façade (118–125 AD), built under Emperor Hadrian, preserves Agrippa’s earlier inscription (M·AGRIPPA·L·F·COS·TERTIVM·FECIT - Marcus Agrippa, son of Lucius, consul for the third time, built this). Before it stands the Macuteo Obelisk from Egypt (rededicated here in 1711) and the Baroque fountain by Filippo Barigioni (1711), blending imperial Rome, Christian Rome, and papal urban renewal into one historic vista.

Museo dell'Opera del Duomo

Madonna del colloquio

Giovanni Pisano

This half-length marble Virgin and Child (c. 1280–1284) originally stood at the south transept portal of Pisa Cathedral. Now, it captures a striking emotional exchange between mother and son. The Child gently grasps Mary’s veil, emphasizing Pisano’s innovative focus on tenderness and psychological realism in sacred art.

Pinacoteca Ambrosiana

St John the Baptist

Salaino

This sensuous portrayal of John the Baptist (early 16th c.) blends spiritual solemnity with ambiguous allure. Influenced by Leonardo da Vinci, the figure’s delicate features and mysterious smile reflect a complex merging of divine grace and human beauty, inviting contemplation beyond doctrine.

Galleria Borghese

The Rape of Proserpina

Bernini

In this stunning detail of Bernini’s marble group (1621–22), Pluto’s fingers sink into Proserpina’s thigh with unnerving realism, while her twisting form and anguished face heighten the emotional intensity. The composition’s tactile illusionism and psychological drama mark a defining triumph of early Baroque sculpture.

Château de Chantilly

Five Dancing Angels (detail)

Giovanni di Paolo

This detail (c.1436) comes from Giovanni di Paolo’s Five Dancing Angels. Here, three angels join hands in a celestial dance while another plays the trumpet before a golden sun, symbolizing God. Their flowing robes and rhythmic gestures convey divine harmony, reflecting the spiritual intensity of 15th-c. Sienese art.

Pinacoteca Ambrosiana

Portrait of a Musician

Leonardo da Vinci

This intimate oil on panel (c. 1485) is Leonardo da Vinci’s only known male portrait. Likely depicting a court musician in Milan, the sitter clutches a sheet of music, suggesting both profession and intellect. The unfinished lower section contrasts with the intense gaze, highlighting Leonardo’s interest in capturing psychological presence over ornamental finish.

Meadows Museum

Queen Mariana

Diego Velázquez

Diego Velázquez’s portrait of Queen Mariana (c. 1656) captures the young queen with sensitivity, highlighting her regal authority and personal nuance. Painted during her early years as Philip IV’s wife, it is part of a series of likenesses that served as studies for larger compositions. These studies influenced other works, including those in Barcelona and Madrid.

St. Ignazio di Loyola

The Apotheosis of St. Ignatius

Andrea Pozzo

Max captures The Apotheosis of St. Ignatius (1685–1694) using a viewing mirror beneath the ceiling, enhancing Pozzo’s Baroque illusionism. This optical device unveils the masterful perspective that transforms the flat vault into a celestial vision, merging art and exemplifying the Baroque fascination with perspective: a dynamic interplay between earthly and divine realms.

Museo Luis Alberto Acuña

Chiminigagua Releases Light

Luis Alberto Acuña

Detail from a mural (1960–70s) reimagining the Chibcha creation myth. The supreme god Chiminigagua raises his arms as radiant birds burst forth, bringing light to the cosmos. A glowing sun and celestial rainbow crown the scene, marking the divine act that initiated life and order in the Muisca universe.

Villa Farnesina

Perseus and Medusa

Baldassarre Peruzzi

In this fresco (c. 1511), Peruzzi depicts Perseus about to behead Medusa. Medusa’s petrifying gaze has already turned victims to stone, visible as pale figures below. Pegasus, born from Medusa’s blood, emerges nearby, symbolizing rebirth. The scene reflects triumph over monstrous chaos.

Basílica and Convent of San Francisco

The Last Supper (with Cuy)

Diego de la Puente

De la Puente’s 1658 painting uniquely blends Spanish colonial art with Peruvian culture. It depicts Jesus and his disciples eating cuy (guinea pig), a local delicacy, instead of lamb. This substitution reflects how Catholic imagery was adapted to local customs, offering a clear example of the visual and cultural hybridization that shaped colonial Peru.

Galleria Borghese

Pauline Bonaparte as Venus Victrix

Antonio Canova

This statue (1805–08) presents Pauline Bonaparte, sister of Napoleon, as Venus, reclining semi-nude and holding the golden apple of victory. Commissioned by her husband Camillo Borghese, the statue blends neoclassical elegance with sensual myth. Its rotating base once allowed viewers to admire it from every angle.

Pinacoteca Ambrosiana

Madonna del Padiglione

Sandro Botticelli

This tempera painting (c. 1493) shows the Virgin Mary adoring the Christ Child beneath a luxurious red canopy, assisted by angels. Botticelli fuses spiritual intimacy with courtly elegance. The open book and flowering symbols evoke divine wisdom and purity, while the tent references the tabernacle—God’s dwelling among humanity.

Rodin Museum

The Cathedral

Auguste Rodin

This 1908 sculpture features two right hands reaching towards each other, symbolizing connection and unity. Initially named The Arch of Alliance, it was inspired by Gothic cathedral rib vaults and renamed in 1914. The texture and interplay of light and shadow evoke prayer and contemplation. This work marks Rodin’s shift from realism to modernism, emphasizing emotional depth over physical form.

Villa Farnesina

Triumph of Galatea (detail)

Raphael

Painted by Raphael’s workshop (1511–1512), this fragment depicts the sea nymph Galatea triumphantly riding a shell chariot, drawn by dolphins and surrounded by marine gods. Inspired by classical mythology, the scene celebrates ideal beauty, love, and movement, blending Renaissance harmony with dynamic mythological fantasy.

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Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

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