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The Antonino Salinas Regional Archeological Museum

Satyr Pouring Wine

Praxiteles

This Roman marble statue is a copy of Praxiteles’ 4th-c. BC Greek original, depicting a youthful satyr, a companion of Dionysus, pouring wine. Though the pitcher and cup are missing, it captures the revelry and music linked to satyrs. Found near Naples in 1797, it exemplifies Praxiteles’ style with sinuous curves and a naturalistic pose, embodying the carefree spirit of Dionysian myth.

Rodel Tapaya Exhibit "Urban Labyrinth"

The Comedy, Parody, and Tragedy

Rodel Tapaya

This painting (2018) from Tapaya’s Urban Labyrinth series swirls with hybrid beings, masks, and mythic figures at a chaotic table. Angelic wings, demonic grins, and spectral visages blur folk imagination with urban satire. Tapaya weaves Philippine mythology into contemporary critique, where humor and menace mirror the fractured realities of modern city life.

Tintoretto, Birth of a Genius

Adam and Eve

Tintoretto

Tintoretto’s painting (1550–53) depicts the biblical scene of temptation in the Garden of Eden. Eve offers the forbidden fruit to Adam, with their expulsion illustrated in the background. Influenced by Michelangelo, the composition emphasizes the nude figures and employs oblique lines to structure the landscape. This work reflects the Renaissance interest in human form and moral themes.

Independence Museum

Champán en el río Magdalena

De la Rue & Torres Méndez

This 1878 lithograph depicts a champán, a flat-bottomed river raft common on the Magdalena River, propelled by Afro-Colombian workers using long poles. Wealthy passengers rest under a thatched shelter, highlighting the stark racial and class divisions of the era. The image captures both Colombia’s natural landscape and its colonial labor hierarchies in transition.

Dalí Theatre-Museum

The Courtyard of the Wind Palace

Salvador Dalí

Dalí’s surreal installation (1970s) features golden female mannequins resembling votive icons in windows surrounding a central bronze figure of Venus crowned with a ship. This work merges classical motifs with theatrical elements, creating a fantastical vision of fertility, mythology, and voyeurism, showcasing Dalí’s unique blend of art and architecture.

Château de Chantilly

Five Dancing Angels (detail)

Giovanni di Paolo

This detail (c.1436) comes from Giovanni di Paolo’s Five Dancing Angels. Here, three angels join hands in a celestial dance while another plays the trumpet before a golden sun, symbolizing God. Their flowing robes and rhythmic gestures convey divine harmony, reflecting the spiritual intensity of 15th-c. Sienese art.

Hôtel-Dieu

Archangel Michael Weighing Souls

Rogier van der Weyden

In this panel from the Last Judgment Altarpiece (1445–50), Archangel Michael dominates the scene, balancing souls in golden scales as Christ presides above. Trumpeting angels herald resurrection while the blessed and damned await their fate. Painted for Beaune’s Hôtel-Dieu, the work reminded patients that earthly suffering was framed within the ultimate hope of divine justice and salvation.

Museu Frederic Marès

The Appearance of Christ to the Disciples

Master of Cabestany

This 12th-c. Romanesque sculpture by the Master of Cabestany depicts Christ revealing himself to his disciples after the resurrection. The artist is known for figures with large heads, flat foreheads, long noses, and almond-shaped eyes. Likely from the monastery of Sant Pere de Rodes, the work exemplifies the Master of Cabestany’s influence across Southern Europe, from Tuscany to Navarre.

Meadows Museum

Queen Mariana

Diego Velázquez

Diego Velázquez’s portrait of Queen Mariana (c. 1656) captures the young queen with sensitivity, highlighting her regal authority and personal nuance. Painted during her early years as Philip IV’s wife, it is part of a series of likenesses that served as studies for larger compositions. These studies influenced other works, including those in Barcelona and Madrid.

Villa Farnesina

The Triumph of Galatea

Raphael

In this fresco (c. 1512), Raphael transforms Galatea’s myth into a celebration of divine beauty. The sea nymph rides a shell chariot drawn by dolphins (linked to Venus), while cupids shoot arrows symbolizing love’s universal power. Though the original tale includes jealousy and tragedy, Raphael omits them, presenting an idealized vision of harmony and grace.

Mythical Vases: The Heroes of the Jatta National Museum

Pentheus Attacked by Bacchic Women

The Oxford Group Workshop

This Apulian red-figure plate (360–350 BC) shows Pentheus arming himself against Dionysus’ cult. In myth, he is seized by Bacchic women, including his mother Agave, who mistake him for prey and tear him apart. The scene warns against impiety and defying divine power, embodying the tragic cost of resisting Dionysian ecstasy and communal worship.

Villa Farnesina

The Council of the Gods (detail)

Raphael

In this scene (1518), Raphael depicts Cupid pleading with Jupiter to grant Psyche immortality and approve their union. Jupiter, seated with his eagle, listens thoughtfully. Beside him are Juno (with peacock), Diana (with crescent moon), and Minerva (in armor). Venus stands bare-breasted beside her son, while Neptune (with trident) and Pluto (with bident and dog Cerberus) and Mars (in armor) observe from behind.

Keith Haring Mural

Tuttomondo

Keith Haring

This section of Tuttomondo (1989) showcases Keith Haring’s vibrant visual language with simplified human forms, radiant lines, and vivid colors in rhythmic harmony. The mural, painted in Pisa, celebrates peace and collective action, with each figure symbolizing a social or spiritual force working toward global unity. Haring’s work demonstrates the power of art to convey universal themes of cooperation and harmony.

Pinacoteca Ambrosiana

Madonna of the Towers

Bramantino

This tempera and oil painting (1515–20) presents the Madonna and Child enthroned between Saint Ambrose and Saint Michael. Set before fortified towers symbolizing Marian protection, the composition reflects Leonardo’s influence in its symmetry and restraint. Below, a toad representing the Devil lies defeated, underscoring the Virgin’s triumph over evil.

Galleria Borghese

David with the Head of Goliath

Caravaggio

This haunting composition (1609–10) shows David holding Goliath’s severed head—modeled on Caravaggio himself. Rather than triumph, the mood is remorseful. The intense chiaroscuro, psychological realism, and moral ambiguity turn this biblical victory into a meditation on guilt, mortality, and inner torment.

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Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

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