Travel With Max Learn  •  Admire  •  Soar
Galleria Borghese

Apollo and Daphne (detail)

Gian Lorenzo Bernini

In this electrifying detail from Apollo and Daphne (1622–25), Daphne’s transformation peaks: her fingers stretch skyward as they fracture into laurel branches. Bernini’s carving achieves an uncanny fluidity—Apollo’s embrace contrasts her fleeing limbs, while bark and hair blur into motion, embodying divine metamorphosis and tragic escape.

Rijksmuseum

Still Life with Cheese

Floris Claesz van Dijck

On a damask-draped table (c.1615) lie fruit, bread, and three cheeses, carefully grouped by type. Floris van Dijck’s mastery of illusion is evident in the pewter plate jutting over the edge, as if within reach. A pioneer of Haarlem still-life painting, he helped establish the Dutch Golden Age tradition of rendering everyday abundance with startling realism.

Hôtel-Dieu

Archangel Michael Weighing Souls

Rogier van der Weyden

In this panel from the Last Judgment Altarpiece (1445–50), Archangel Michael dominates the scene, balancing souls in golden scales as Christ presides above. Trumpeting angels herald resurrection while the blessed and damned await their fate. Painted for Beaune’s Hôtel-Dieu, the work reminded patients that earthly suffering was framed within the ultimate hope of divine justice and salvation.

Ásgrímur Jónsson Museum

The Prayer

Einar Jónsson

Created in 1909 and later cast in bronze, this sculpture shows a kneeling woman embracing a praying child, merging maternal love with spiritual devotion. Jónsson, pioneer of Icelandic sculpture, wove Nordic symbolism into works that joined earthly care and divine aspiration. His 1909 donation of all his art to the nation ensured the founding of Iceland’s first art museum in 1923, making pieces like The Prayer central to national identity.

St Peter's Basilica

Pietà

Michelangelo

This marble sculpture (1498–99) shows the Virgin Mary holding the body of Christ after the Crucifixion. Carved by Michelangelo at age twenty-four, it unites idealized form and anatomical accuracy with restrained pathos. Commissioned for St. Peter’s Basilica, the Pietà exemplifies High Renaissance harmony between human beauty and divine suffering.

Chiesa di Gesù

Triumph of the Name of Jesus

Giovanni Battista Gaulli

This dramatic fresco (1676–79) fills the nave ceiling with a celestial eruption of light and figures. At its center, divine radiance emanates from the monogram IHS, the symbol of Jesus. Saved souls rise toward the light, while sinners tumble into shadow. Blending paint and stucco, the work fuses heaven and church in Baroque theatricality.

Caravaggio's Roman Period

The Lute Player

Caravaggio

This painting (c. 1596) portrays a young musician absorbed in performance. Before him lie a violin, scores, and fruit, symbols of sensuality and transience. Caravaggio uses natural light to animate the delicate textures of skin, cloth, and petals. The figure embodies the Renaissance ideal of harmony between music and emotion, while also hinting at life’s fragility and fleeting pleasures.

Museo Botero

Adam and Eve

Fernando Botero

These 1999 bronze figures reimagine the biblical first humans with Botero’s hallmark voluminous style. Their serene, exaggerated forms strip the myth of guilt and drama, offering a playful yet dignified meditation on innocence, corporeality, and the timeless tension between flesh and spirit.

Galleria Borghese

David

Gian Lorenzo Bernini

This marble sculpture (1623–24) captures David in a twisting stance, body coiled as his hand grips the sling. Muscles, drapery, and focused gaze all align with the implied arc of the stone. Commissioned by Cardinal Scipione Borghese, it exemplifies Baroque interest in movement and psychological intensity, turning a biblical hero into a study of concentrated action.

Raphael/Giulio Romano - The Fire in the Borgo

Fire in the Borgo

Rapahael and Giulio Romano

This fresco (1514) captures a legendary fire in Rome's Borgo district, illustrating divine intervention through Pope Leo IV's prayer. The fresco, part of the Raphael Rooms in the Vatican, blends classical and Renaissance elements, showcasing dynamic figures and architectural precision. This work reflects the era's belief in the power of faith and the church's central role in societal protection and order.

Galleria Borghese

Adoration of the Child (detail)

Fra Bartolomeo

This tondo or circular painting (c.1495), Mary and Joseph kneel in reverence before the infant Christ, who rests on a sack amid delicate vegetation. The ruined architecture behind them symbolizes the fall of paganism, while the balanced composition and radiant palette reflect Bartolomeo’s early embrace of Renaissance ideals.

Museu do Amanhã

Puffed Star

Frank Stella

Installed before the Museum of Tomorrow in Rio de Janeiro (2016), this metallic sculpture by American artist Frank Stella dazzles with radiating points and mirrored planes. Its star-like form evokes cosmology and perception, inviting reflection on the interconnectedness of space, matter, and human imagination.

Castello Sant'Angelo

Saint Michael the Archangel

Pellegrino Tibaldi

This fresco (1545–46) in the Sala Paolina at Castel Sant'Angelo depicts the Archangel Michael sheathing his sword, symbolizing the end of the plague in 590. His muscular form and gilded armor convey divine justice and Roman salvation, highlighting the spiritual and civic authority of angelic intervention.

Palacio de Bellas Artes

Inframundo Maya

Rina Lazo

In this mural (2019), Lazo reimagines Xibalba—the Mayan underworld—through the lens of the Popol Vuh. The Hero Twins traverse rivers, deities oversee sacrifice and desire, and spirits haunt the sacred landscape. Blending myth and memory, the artist fuses political vision with ancestral wisdom in her final celebration of Maya cosmology.

Independence Museum

Champán en el río Magdalena

De la Rue & Torres Méndez

This 1878 lithograph depicts a champán, a flat-bottomed river raft common on the Magdalena River, propelled by Afro-Colombian workers using long poles. Wealthy passengers rest under a thatched shelter, highlighting the stark racial and class divisions of the era. The image captures both Colombia’s natural landscape and its colonial labor hierarchies in transition.

01 / 15
Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

AI Search