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Villa Farnesina

Venus and Capricorn

Baldassarre Peruzzi

The painting (c.1511) in the Loggia of Galatea depicts Venus, the goddess of love, on a shell surrounded by doves, symbols of love. Beside her, Capricorn, a hybrid creature, represents astrological wisdom. This artwork merges mythological beauty with cosmic symbolism, reflecting the Renaissance fascination with harmony between earthly and celestial realms. The inclusion of Capricorn underscores the era's belief in astrology's influence on human affairs.

Museo Luis Alberto Acuña

Mural of Huitaca the Rebellious Deity

Luis Alberto Acuña

This mural (1950s) portrays Huitaca, a sensual Muisca goddess of pleasure and disorder, who defied Bochica, the culture hero who taught law, farming, and morality. Condemned for her rebellion, she was transformed into an owl. Her winged form here embodies the clash between instinct and discipline, chaos and cosmic order at the heart of Muisca belief.

Pinacoteca Ambrosiana

The Entombment of Christ

Titian and Palma the Younger

A poignant rendering of Christ’s burial, this oil on canvas (1618) was begun by Titian and completed by Palma the Younger. The composition captures collective grief, emphasizing the physical weight of death and the emotional weight of loss. The figures’ gestures and expressions mirror Renaissance ideals of pathos and human dignity.

Palacio de Bellas Artes

The Legend of Agustín Lorenzo (detail)

Diego Rivera

This 1936 fresco dramatizes the legendary outlaw Agustín Lorenzo as a symbol of resistance. Armed revolutionaries clash with government forces, their horses rearing amid smoke and flames. Rivera fuses myth and history, casting Lorenzo as a Mexican Robin Hood whose defiant struggle against injustice became folklore in the national imagination.

Museo Luis Alberto Acuña

Choir of Novices

Luis Alberto Acuña

This sculptural group by Luis Alberto Acuña (1970s) depicts a choir of young novices led by a conductor, rendered in white plaster. Positioned in the courtyard of Casa Museo Acuña, it captures themes of spiritual education, harmony, and discipline. The rigid poses and minimalist forms evoke a timeless reverence, bridging artistic expression with monastic tradition.

Pinacoteca Ambrosiana

Portrait of a Musician

Leonardo da Vinci

This intimate oil on panel (c. 1485) is Leonardo da Vinci’s only known male portrait. Likely depicting a court musician in Milan, the sitter clutches a sheet of music, suggesting both profession and intellect. The unfinished lower section contrasts with the intense gaze, highlighting Leonardo’s interest in capturing psychological presence over ornamental finish.

Château de Chantilly

Expulsion from Eden

Maître des Médaillons

This French manuscript miniature (early 15th c.) shows Adam and Eve after the Fall, modestly covering themselves with leaves. An angel descends with a robe, while the Tree of Knowledge burns red above them. To the right stands a stone building, symbolizing exile from Paradise. The vivid colors and fine detail reflect late medieval devotional art.

Museo Luis Alberto Acuña

Chiminigagua and the Origen of Chibcha

Luis Alberto Acuña

This mural (1960–70s) reimagines the Chibcha creation myth. At center, the god Chiminigagua releases radiant birds to bring light to the cosmos. To his right stands Bachué with her son Iguaque, founders of the Muisca people. At left is Chaquén, guardian of lands and borders. The scene is set at the sacred Iguaque Lagoon, the cradle of Muisca origin.

Museo Luis Alberto Acuña

Descent from the Cross

Luis Alberto Acuña

Acuña (mid-1950s) renders the moment of Christ’s body being lowered from the cross with emotional gravity and communal sorrow. The composition emphasizes solidarity in grief, surrounding Christ with figures of all ages and backgrounds, reinforcing the universality of human suffering and compassion.

Fondation Louis Vuitton

Eternity - The Soldier of Marathon Announcing Victory

Xu Zhen

This 2011 sculpture installation Eternity – Eternity - The Soldier of Marathon Announcing Victory, a Wounded Galatian fuses classical Greek forms with contemporary fragmentation. Crafted from concrete, fiberglass, marble powder, and metal, the sequence begins with a whole figure and gradually breaks apart, evoking cultural transformation and the erosion of historical continuity.

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Horizons

Francisco Antonio Cano

Horizontes (1913) presents an idealized vision of Colombia’s settler frontier. The man's outstretched arm signifies hope and destiny, while the woman and child convey continuity and rootedness. This work by a leading Colombian academic painter uses the peasant family to symbolize national identity and the forging of a future in the Andean landscape.

Raphael - The Disputation of the Sacrament

Christ in Glory (detail)

Raphael

The radiant figure of the risen Christ (1508–10) crowns the celestial register of The Disputation of the Sacrament. His raised hand and visible wounds recall both his Passion and his role as judge at the end of time. Encircled by golden rays, he visually affirms the doctrine of the Eucharist as the enduring, real presence of Christ.

Tintoretto, Birth of a Genius

Adam and Eve

Tintoretto

Tintoretto’s painting (1550–53) depicts the biblical scene of temptation in the Garden of Eden. Eve offers the forbidden fruit to Adam, with their expulsion illustrated in the background. Influenced by Michelangelo, the composition emphasizes the nude figures and employs oblique lines to structure the landscape. This work reflects the Renaissance interest in human form and moral themes.

Galleria Borghese

Apollo and Daphne

Bernini

This electrifying marble group (1622–25) freezes the climax of Ovid’s tale as Daphne begins to turn into a laurel tree to escape Apollo’s grasp. Her fingers sprout leaves, her torso hardens into bark. Bernini renders transformation with astonishing fluidity, embodying Baroque ideals of movement, emotion, and divine drama.

Galleria Borghese

Apollo and Daphne

Bernini

Seen from behind, Bernini’s Apollo and Daphne (1622–25) reveals the spiraling tension of flight and pursuit. Daphne’s transformation accelerates—branches burst from her hair as Apollo strains forward, barely grounded. This angle heightens the illusion of motion, capturing the myth’s fleeting climax with lyrical virtuosity.

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Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

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