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Hôtel-Dieu

Archangel Michael Weighing Souls

Rogier van der Weyden

Detail from the Last Judgment Altarpiece (1445–50), created for Beaune’s Hôtel-Dieu. Archangel Michael holds scales to weigh souls, his calm gaze contrasting with the cosmic drama around him. Trumpeting angels herald resurrection, while Michael’s jeweled vestments and red wings embody divine authority. For the hospital’s patients, this image linked earthly suffering to the hope of eternal salvation.

Villa Farnesina

Venus and the Doves

Raphael

In this fresco (1518), Raphael presents Venus, goddess of love, gracefully accompanied by doves, her sacred birds. The flowing ribbon emphasizes her divine beauty and motion, while the doves allude to purity and erotic desire. The image echoes Venus’ central role in the myth of Cupid and Psyche, where love governs both divine and mortal fates.

Museo Luis Alberto Acuña

Mural of Huitaca the Rebellious Deity

Luis Alberto Acuña

This mural (1950s) portrays Huitaca, a sensual Muisca goddess of pleasure and disorder, who defied Bochica, the culture hero who taught law, farming, and morality. Condemned for her rebellion, she was transformed into an owl. Her winged form here embodies the clash between instinct and discipline, chaos and cosmic order at the heart of Muisca belief.

Galleria Borghese

The Entombment (detail)

Raphael

This masterpiece (1507) shows a group of figures surrounding the lifeless body of Christ, merging themes of Deposition, Lamentation, and Entombment. Commissioned by Atalanta Baglioni, it honors her murdered son. Raphael’s composition shows Michelangelo’s influence in the sculptural form of Christ. A 2020 restoration revealed refinements in Raphael’s underdrawing, pigment choices, and layered modeling, clarifying how he built depth and anatomical precision.

Fondation Louis Vuitton

Sudden Awakening

Zhang Huan

This large Buddha head sculpture (2006) lies fragmented on the ground, its heavy upper section slightly shifted above closed eyes and rough, ash-coated features. Formed from ash and steel, it draws on materials linked to ritual burning and industrial residue. The broken, weighty face reveals how contemporary Buddhist art confronts impermanence and the tension between spiritual ideals and material collapse.

Villa Farnesina

Fame and Medusa's Victims

Baldassarre Peruzzi

This fresco (1511) shows Fame soaring through the sky, announcing glory with her trumpet. Below, three men and a horse emerge from the clouds, their pallor and stiffness indicating they are victims turned to stone by Medusa's gaze. The composition reflects Renaissance interest in mythology, illustrating the power of reputation and the consequences of divine encounters.

Museo Manuel Felguérez

Zacatecas Landscape with Hanged Men

Francisco Goitia

This 1914 canvas exposes the horrors of the Mexican Revolution. Two skeletal corpses hang from a barren tree, their twisted bodies blending with the lifeless landscape, while an owl perches above as a symbol of death. Goitia, who witnessed the battle of Zacatecas, rejected heroic depictions in favor of brutal realism. His work stands as both testimony and condemnation, capturing the trauma of a nation torn by war.

Santa Maria in Aracoeli Basilica

Musical Angels (detail)

Pinturicchio

In this detail (1484–86), Pinturicchio paints two angelic musicians, one playing a violin and the other a wind instrument. Floating on clouds, they contribute to the celestial harmony surrounding Christ in Majesty. The graceful movement of their garments reflects Pinturicchio’s refined sense of rhythm, light, and divine celebration.

Museo Luis Alberto Acuña

Museum Courtyard

Luis Alberto Acuña

This eclectic courtyard blends colonial architecture with fantastical sculptures and lush vegetation. Dinosaurs, jaguars, and snakes emerge from the stone paths, reflecting Acuña’s imaginative fusion of pre-Columbian, mythological, and surrealist influences.

Palace of the Inquisition

The Lagoon of Peace

Jorge Alberto Smith Ellas

This 2021 oil and acrylic painting evokes serenity and ancestral rhythm. A golden twilight bathes the rural scene, where everyday life unfolds by a calm lagoon. The composition speaks to Colombia’s Pacific and Caribbean heritage, honoring peace through stillness, memory, and connection to the land.

Mythical Vases: The Heroes of the Jatta National Museum

Orestes Pursued by the Furies

Painter of the Birth of Dionysus

This Apulian red-figure krater, used for mixing wine and water, (410–390 BC) depicts Orestes defending himself with a sword against the Erinyes, avenging his mother's death. Apollo, seated with a bow, offers protection, symbolizing divine sanction amid human guilt. This scene illustrates the complex interplay of justice and retribution in Greek mythology.

Pinacoteca Ambrosiana

Adoration of the Christ Child

Bramantino

In this tempera panel (c. 1485), the Milanese innovator arranges the Nativity as a cool study of space. The Child rests on a stone slab, flanked by Mary and Saints Bernardino, Francis, and Benedict, while angel musicians provide a celestial motet. Rigid perspective, sculptural figures, and an architectonic backdrop reveal Bramantino’s quest for mathematical order within devotional feeling.

Pinacoteca Ambrosiana

The Entombment of Christ

Titian and Palma the Younger

A poignant rendering of Christ’s burial, this oil on canvas (1618) was begun by Titian and completed by Palma the Younger. The composition captures collective grief, emphasizing the physical weight of death and the emotional weight of loss. The figures’ gestures and expressions mirror Renaissance ideals of pathos and human dignity.

Museo Botero

Woman with Umbrella

Fernando Botero

A solitary figure walks through a forest, her reflection mirrored below as if suspended between worlds. Her voluminous dress and umbrella contrast with the vertical rhythm of the trees. With surreal calm and poetic symmetry, Botero (1989) transforms a simple stroll into a meditation on solitude, identity, and the quiet theatricality of everyday life.

Museo Botero

The Painter and His Model

Fernando Botero

Fernando Botero's The Painter and His Model (1984) humorously subverts the traditional artist-muse dynamic. The painting features a voluptuous nude model dominating the canvas, while the artist, dwarfed behind his easel, peers out with a palette in hand. This playful inversion highlights themes of power, beauty, and authorship, celebrating physical abundance with irony and affection. Botero's work invites reflection on the nature of artistic creation and the roles within it.

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Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

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