Travel With Max Learn  •  Admire  •  Soar
Mythical Vases: The Heroes of the Jatta National Museum

Pentheus Attacked by Bacchic Women

The Oxford Group Workshop

This Apulian red-figure plate (360–350 BC) shows Pentheus arming himself against Dionysus’ cult. In myth, he is seized by Bacchic women, including his mother Agave, who mistake him for prey and tear him apart. The scene warns against impiety and defying divine power, embodying the tragic cost of resisting Dionysian ecstasy and communal worship.

Pinacoteca Ambrosiana

Madonna del Padiglione

Sandro Botticelli

This tempera painting (c. 1493) shows the Virgin Mary adoring the Christ Child beneath a luxurious red canopy, assisted by angels. Botticelli fuses spiritual intimacy with courtly elegance. The open book and flowering symbols evoke divine wisdom and purity, while the tent references the tabernacle—God’s dwelling among humanity.

Rodin Museum

The Thinker

Auguste Rodin

Rodin's iconic bronze sculpture, The Thinker(1904), depicts a nude male figure in deep contemplation, symbolizing profound thought. Originally part of The Gates of Hell, it reflects on philosophy and introspection. This one is the monumental casting, with 27 full-sized versions worldwide. The masterpiece invites viewers to ponder life's complexities, embodying the universal quest for understanding and intellectual pursuit.

Pinacoteca Ambrosiana

The Infant Jesus with a Lamb

Bernardino Luini

This oil and tempera on panel (c. 1525) captures the tenderness of the Infant Jesus, or Gesu Bambino, embracing a lamb—a symbol of his future sacrifice as the Lamb of God. Luini’s High Renaissance style blends divine purity and human innocence, creating a serene image of spiritual love and redemptive foreshadowing.

Villa Farnesina

The Fall of Phaeton

Sebastiano del Piombo

This fragment (c. 1511) shows Phaeton falling from the sky after failing to control the sun chariot of his father Helios. To save the world, Zeus strikes him down. Part of Sebastiano del Piombo’s mythological cycle at Villa Farnesina, it complements Raphael’s Triumph of Galatea with a dramatic warning against hubris.

Palacio de Bellas Artes

The Legend of Agustín Lorenzo (detail)

Diego Rivera

This 1936 fresco dramatizes the legendary outlaw Agustín Lorenzo as a symbol of resistance. Armed revolutionaries clash with government forces, their horses rearing amid smoke and flames. Rivera fuses myth and history, casting Lorenzo as a Mexican Robin Hood whose defiant struggle against injustice became folklore in the national imagination.

Fondation Louis Vuitton

Eternity - The Soldier of Marathon Announcing Victory

Xu Zhen

This 2011 sculpture installation Eternity – Eternity - The Soldier of Marathon Announcing Victory, a Wounded Galatian fuses classical Greek forms with contemporary fragmentation. Crafted from concrete, fiberglass, marble powder, and metal, the sequence begins with a whole figure and gradually breaks apart, evoking cultural transformation and the erosion of historical continuity.

Museo Luis Alberto Acuña

Descent from the Cross

Luis Alberto Acuña

Acuña (mid-1950s) renders the moment of Christ’s body being lowered from the cross with emotional gravity and communal sorrow. The composition emphasizes solidarity in grief, surrounding Christ with figures of all ages and backgrounds, reinforcing the universality of human suffering and compassion.

Villa Farnesina

Cupid and the Three Graces

Raphael

In this fresco (1518), Raphael portrays Cupid with the Three Graces, who embody beauty, charm, and joy. The scene reflects the harmony of love and divine favor, integral to Psyche’s myth. Framed by Giovanni da Udine’s botanical festoons, it blends mythology with Renaissance ideals of grace and abundance.

Galleria Spada

A Man with a Glove

Titian

This introspective portrait (c. 1515) captures a bearded man in mid-turn, scroll in hand, his gaze piercing yet reserved. Rendered with Venetian richness, the work highlights the sitter’s intellect and social poise. The subtle play of light on fabric and flesh reveals Titian’s early mastery of psychological depth and painterly nuance.

Chapultepec Castle (National History Museum)

Detail from Retablo de la Independencia

Juan O'Gorman

This mural detail (1960–61) dramatizes colonial brutality during Mexico’s struggle for independence (1810–1821). A near-nude man is tortured before Spanish troops and clergy, symbolizing oppression. At left appear insurgent leaders Miguel Hidalgo and José María Morelos, while nobles and clerics in bright dress embody privilege. The peasants and child at right embody the pueblo whose suffering and resilience fueled the revolt for freedom.

Museo Luis Alberto Acuña

Mural of Huitaca the Rebellious Deity

Luis Alberto Acuña

This mural (1950s) portrays Huitaca, a sensual Muisca goddess of pleasure and disorder, who defied Bochica, the culture hero who taught law, farming, and morality. Condemned for her rebellion, she was transformed into an owl. Her winged form here embodies the clash between instinct and discipline, chaos and cosmic order at the heart of Muisca belief.

Galleria Borghese

Apollo and Daphne

Bernini

This electrifying marble group (1622–25) freezes the climax of Ovid’s tale as Daphne begins to turn into a laurel tree to escape Apollo’s grasp. Her fingers sprout leaves, her torso hardens into bark. Bernini renders transformation with astonishing fluidity, embodying Baroque ideals of movement, emotion, and divine drama.

Ásgrímur Jónsson Museum

The Earth

Einar Jónsson

Jónsson’s bronze sculpture, The Earth (1904–1908), features a seated figure cradling a smaller form, reflecting his shift to Symbolism after 1903. It explores themes of life, death, and the cyclical nature of existence. Jónsson, a pioneering Icelandic sculptor, studied at the Royal Danish Academy of Fine Arts, significantly influencing the evolution of Icelandic art.

Caravaggio's Roman Period

The Supper at Emmaus

Caravaggio

This painting (c.1606) was created after Caravaggio fled Rome for Naples. It depicts Christ revealing himself in Emmaus at the blessing of bread. Unlike Caravaggio’s earlier 1601 version, gestures are subdued and the table almost bare. In this darker vision, the recognition of the divine comes not in spectacle but in shadow and silence.

01 / 15
Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

AI Search