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Villa Farnesina

The Wedding Banquet of Cupid and Psyche

Raphael

In this fresco (1518–19), Raphael presents the divine banquet:on the left are Neptune, Persephone, Pluto, Juno, and Jupiter receiving a drink from Ganymede. On the right sit Psyche and Cupid, gazing at each other. In the foreground, Bacchus and a young satyr pour wine, highlighting the festive nature of Cupid’s immortal union with Psyche.

Hôtel-Dieu

Archangel Michael Weighing Souls

Rogier van der Weyden

In this panel from the Last Judgment Altarpiece (1445–50), Archangel Michael dominates the scene, balancing souls in golden scales as Christ presides above. Trumpeting angels herald resurrection while the blessed and damned await their fate. Painted for Beaune’s Hôtel-Dieu, the work reminded patients that earthly suffering was framed within the ultimate hope of divine justice and salvation.

Pinacoteca Ambrosiana

Santa Conversazione (detail)

Ambrogio Bergognone

This panel 1490-95) features a trio of female saints bearing lilies, symbolizing purity. Adorned with gold and intricate embroidery, their garments suggest sanctity and nobility. The solemn expressions and clasped books evoke wisdom and devotion, emphasizing the fusion of holiness and human dignity in late Gothic religious art.

Caravaggio's Roman Period

The Lute Player

Caravaggio

This painting (c. 1596) portrays a young musician absorbed in performance. Before him lie a violin, scores, and fruit, symbols of sensuality and transience. Caravaggio uses natural light to animate the delicate textures of skin, cloth, and petals. The figure embodies the Renaissance ideal of harmony between music and emotion, while also hinting at life’s fragility and fleeting pleasures.

Museu do Amanhã

Puffed Star

Frank Stella

Installed before the Museum of Tomorrow in Rio de Janeiro (2016), this metallic sculpture by American artist Frank Stella dazzles with radiating points and mirrored planes. Its star-like form evokes cosmology and perception, inviting reflection on the interconnectedness of space, matter, and human imagination.

Museo Botero

Christ and the Centurion of Capernaum

Master of Adoration of Amberes

This Northern Renaissance panel (1520–30) captures the moment a Roman centurion asks Christ to heal his servant, saying Lord, I am not worthy. The scene blends biblical narrative with contemporary Flemish attire, highlighting faith over status. The expressive gestures and rich details emphasize humility and the universal appeal of compassion, reflecting the era's fusion of religious and cultural elements.

Museo Luis Alberto Acuña

Chiminigagua and the Origen of Chibcha

Luis Alberto Acuña

This mural (1960–70s) reimagines the Chibcha creation myth. At center, the god Chiminigagua releases radiant birds to bring light to the cosmos. To his right stands Bachué with her son Iguaque, founders of the Muisca people. At left is Chaquén, guardian of lands and borders. The scene is set at the sacred Iguaque Lagoon, the cradle of Muisca origin.

Pantheon

Pantheon with Macuteo Obelisk and Fountain

Filippo Barigioni

The Pantheon’s façade (118–125 AD), built under Emperor Hadrian, preserves Agrippa’s earlier inscription (M·AGRIPPA·L·F·COS·TERTIVM·FECIT - Marcus Agrippa, son of Lucius, consul for the third time, built this). Before it stands the Macuteo Obelisk from Egypt (rededicated here in 1711) and the Baroque fountain by Filippo Barigioni (1711), blending imperial Rome, Christian Rome, and papal urban renewal into one historic vista.

Villa Farnesina

The Fall of Phaeton

Sebastiano del Piombo

This fragment (c. 1511) shows Phaeton falling from the sky after failing to control the sun chariot of his father Helios. To save the world, Zeus strikes him down. Part of Sebastiano del Piombo’s mythological cycle at Villa Farnesina, it complements Raphael’s Triumph of Galatea with a dramatic warning against hubris.

Pinacoteca Ambrosiana

Holy Family with Saints John, Tobias, and Raphael

Bonifazio Veronese

This Venetian Renaissance oil-on-canvas work (1525–27) expands the traditional Holy Family to include St John, Tobias, and the Archangel Raphael. Rich in color and detail, it blends divine iconography with human warmth, echoing the era’s interest in sacred storytelling through vivid, earthly scenes.

Villa Farnesina

Bacchus and Ariadne

Baldassare Peruzzi

Painted c. 1511 in the Loggia of Galatea, Villa Farnesina, this scene depicts Bacchus, the god of wine, with Ariadne, whom he marries after her abandonment by Theseus. The golden mosaic-like background evokes classical luxury, while Peruzzi’s composition aligns with the villa’s mythological and astrological themes. This artwork reflects Renaissance fascination with classical mythology and the interplay of fate and divine intervention.

Museo Luis Alberto Acuña

Museum Courtyard

Luis Alberto Acuña

This eclectic courtyard blends colonial architecture with fantastical sculptures and lush vegetation. Dinosaurs, jaguars, and snakes emerge from the stone paths, reflecting Acuña’s imaginative fusion of pre-Columbian, mythological, and surrealist influences.

Hôtel-Dieu

Archangel Michael Weighing Souls

Rogier van der Weyden

Detail from the Last Judgment Altarpiece (1445–50), created for Beaune’s Hôtel-Dieu. Archangel Michael holds scales to weigh souls, his calm gaze contrasting with the cosmic drama around him. Trumpeting angels herald resurrection, while Michael’s jeweled vestments and red wings embody divine authority. For the hospital’s patients, this image linked earthly suffering to the hope of eternal salvation.

Pinacoteca Ambrosiana

Male Portrait

Hans Muelich

This portrait (c. 1550) reflects the refined realism of the German Renaissance. The sitter’s composed gaze, luxurious attire, and elegant glass signify affluence and cultured leisure. The distant path and village in the background may allude to the subject’s journey, social standing, or inner world.

Mythical Vases: The Heroes of the Jatta National Museum

The Garden of the Hesperides

Lycurgus Painter

This Apulian red-figure volute krater (360–345 BC) shows maidens guarding the golden apples gifted by Gaia, with the serpent Ladon coiling around the sacred tree. Heracles is tasked with retrieving these apples in his final labor. The scene symbolizes the hero's triumph over peril, reflecting the ancient Greek themes of challenge and victory.

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Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

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