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Galleria Borghese

Young Sick Bacchus

Caravaggio

This self-portrait (c. 1593) shows Caravaggio as Bacchus with jaundiced skin and tense features, painted while recovering from illness. The ivy crown replaces the usual vine leaves, subverting divine idealism. Both sensual and unsettling, the image mocks classical beauty and reveals the artist’s own physical vulnerability.

Rodel Tapaya Exhibit "Urban Labyrinth"

The Comedy, Parody, and Tragedy

Rodel Tapaya

This painting (2018) from Tapaya’s Urban Labyrinth series swirls with hybrid beings, masks, and mythic figures at a chaotic table. Angelic wings, demonic grins, and spectral visages blur folk imagination with urban satire. Tapaya weaves Philippine mythology into contemporary critique, where humor and menace mirror the fractured realities of modern city life.

Hôtel-Dieu

The Damned in Torment

Rogier van der Weyden

This detail from the Last Judgment Altarpiece (1445–50) intensifies the vision of damnation. Naked figures twist and collide as they plunge into dark flames, their limbs tangled in chaotic knots. Strained muscles and distorted faces display a studied range of terror and despair. For patients and caregivers at the Hôtel-Dieu, such visceral imagery sharpened awareness of sin, repentance, and the uncertainty of salvation.

Museo Luis Alberto Acuña

Mapiripana

Luis Alberto Acuña

Inspired by a myth from La Vorágine (a novel by José Eustasio Rivera), this 1950s painting depicts Mapiripana, a river spirit who guards silence and nature’s purity. When a missionary attempts to capture her, she punishes him by birthing monstrous twins—a vampire and an owl. In his final feverish agony, he sees a blue butterfly, symbol of his soul’s escape and eternal remorse.

Caravaggio's Roman Period

The Supper at Emmaus

Caravaggio

This painting (c.1606) focuses on Christ’s quiet gesture and the attentive figures around him. Subtle expressions replace dramatic shock, emphasizing intimacy over display. Caravaggio draws revelation into the realm of the ordinary, showing faith as recognition that dawns quietly amid human fragility.

Caravaggio's Roman Period

John the Baptist (Youth with a Ram)

Caravaggio

Painted around 1602, this work portrays John the Baptist as a youthful figure embracing a ram. Caravaggio departs from solemn prophecy to present vitality, sensuality, and human immediacy. The saint’s glance engages the viewer, while the animal evokes sacrifice and redemption. Through natural light and unidealized form, the painting fuses biblical meaning with raw, earthy presence.

Villa Farnesina

Mercury Brings Psyche up to Olympus

Raphael

In this fresco (1517–18), Raphael depicts Mercury escorting Psyche to Olympus, symbolizing her apotheosis. Mercury’s winged hat and caduceus highlight his role as divine messenger, while Psyche embodies the soul’s ascent to immortality. The scene reflects Renaissance fascination with classical myths as allegories of spiritual transformation.

Rodel Tapaya Exhibit "Urban Labyrinth"

Instant Gratification

Rodel Tapaya

This work (2018) reinterprets the Filipino fable of The Monkey and the Turtle, placing its lesson within a crowded jungle of gambling stalls and restless figures. Monkeys embody the tale’s impatience and hunger for quick gain, while a small turtle-the steady effort outlasts reckless desire. Log piles, patterned trunks, and theatrical foliage frame a world driven by instant gratification and easy profit. Tapaya adapts indigenous storytelling to expose modern cycles of greed.

Rembrandt House Museum

Bust of a Bearded Old Man

Rembrandt

This painting (c. 1630) by Rembrandt van Rijn exemplifies the tronie genre, focusing on character over identity. The expressive face of the elderly man, rendered in oil on panel, showcases Rembrandt’s mastery of light and shadow. As one of his smallest works, it explores themes of old age, capturing the nuances of human expression and emotion, marking an early exploration of the artist’s fascination with the human condition.

Museo Luis Alberto Acuña

Indo-American Scene

Luis Alberto Acuña

A lone, naked rider on horseback drinks from a forest stream, immersed in a lush tropical setting. Acuña's painting (1950-60s) evokes a primordial connection between Indigenous people and the natural world, blending mythic and symbolic elements into a vision of harmony, solitude, and ancestral presence.

The Antonino Salinas Regional Archeological Museum

Satyr Pouring Wine

Praxiteles

This Roman marble statue is a copy of Praxiteles’ 4th-c. BC Greek original, depicting a youthful satyr, a companion of Dionysus, pouring wine. Though the pitcher and cup are missing, it captures the revelry and music linked to satyrs. Found near Naples in 1797, it exemplifies Praxiteles’ style with sinuous curves and a naturalistic pose, embodying the carefree spirit of Dionysian myth.

Galleria Borghese

David with the Head of Goliath

Caravaggio

This haunting composition (1609–10) shows David holding Goliath’s severed head—modeled on Caravaggio himself. Rather than triumph, the mood is remorseful. The intense chiaroscuro, psychological realism, and moral ambiguity turn this biblical victory into a meditation on guilt, mortality, and inner torment.

Franciscan Museum Fray Pedro Gocial

Isabel de Santiago

Archangel Gabriel

This early 18th-c. work by Isabel de Santiago—a rare female artist of the Quito School—portrays Gabriel as a celestial messenger of abundance. Draped in luminous textiles, the archangel holds a cornucopia, blending classical fertility symbols with baroque angelology in a uniquely Andean devotional image.

Galleria Borghese

Roman Civilization and the Heroic Virtue of Honor

Mariano Rossi

This illusionistic ceiling (1775) shows a vortex of gods, heroes, and allegorical figures arranged in rising spirals. Rossi organized the composition with deep foreshortening to create a theatrical Baroque panorama. The central burst of light frames scenes of conflict and ascent, indicating how Roman culture linked civic honor with collective greatness.

Galleria Borghese

The Entombment (detail)

Raphael

This masterpiece (1507) shows a group of figures surrounding the lifeless body of Christ, merging themes of Deposition, Lamentation, and Entombment. Commissioned by Atalanta Baglioni, it honors her murdered son. Raphael’s composition shows Michelangelo’s influence in the sculptural form of Christ. A 2020 restoration revealed refinements in Raphael’s underdrawing, pigment choices, and layered modeling, clarifying how he built depth and anatomical precision.

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Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

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