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Galleria Borghese

Roman Civilization and the Heroic Virtue of Honor

Mariano Rossi

This illusionistic ceiling (1775) shows a vortex of gods, heroes, and allegorical figures arranged in rising spirals. Rossi organized the composition with deep foreshortening to create a theatrical Baroque panorama. The central burst of light frames scenes of conflict and ascent, indicating how Roman culture linked civic honor with collective greatness.

Palacio de Bellas Artes

Fourth International (detail)

Diego Rivera

This segment of Rivera’s 1934 mural shows Marx, Engels, and Trotsky rallying workers beneath a red banner proclaiming unity across nations. The multilingual call to join the Fourth International affirms Rivera’s radical vision: true liberation must come from the workers themselves, guided by socialist ideals and international solidarity.

Caravaggio's Roman Period

The Crowning with Thorns

Caravaggio

This painting (1602–04) depicts Christ humiliated before crucifixion. Crowned with thorns and bound, he stands in silent suffering as soldiers force the reed into his hand and mock him as king. Caravaggio’s harsh chiaroscuro strips away grandeur, presenting raw cruelty and dignity in contrast. The work confronts viewers with the violence of power and the endurance of faith.

Santa Maria in Aracoeli Basilica

Christ in Majesty

Pinturicchio

Nikolo-Dvorishchensky Cathedral (1113) rises in compact tiers with clustered domes and narrow slit windows. Its pale plaster, often pink in daylight, stands in Yaroslav’s Court, the precinct founded by Yaroslav the Wise. Commissioned by Prince Mstislav to honor St Nicholas, it shaped the civic core of the Novgorod Republic and adapted Byzantine forms locally. The white building behind is part of the 17th-c. Merchant Court complex.

Château de Chantilly

Five Dancing Angels (detail)

Giovanni di Paolo

This detail (c.1436) comes from Giovanni di Paolo’s Five Dancing Angels. Here, three angels join hands in a celestial dance while another plays the trumpet before a golden sun, symbolizing God. Their flowing robes and rhythmic gestures convey divine harmony, reflecting the spiritual intensity of 15th-c. Sienese art.

Museo Luis Alberto Acuña

Mapiripana

Luis Alberto Acuña

Inspired by a myth from La Vorágine (a novel by José Eustasio Rivera), this 1950s painting depicts Mapiripana, a river spirit who guards silence and nature’s purity. When a missionary attempts to capture her, she punishes him by birthing monstrous twins—a vampire and an owl. In his final feverish agony, he sees a blue butterfly, symbol of his soul’s escape and eternal remorse.

Museo Manuel Felguérez

Zacatecas Landscape with Hanged Men

Francisco Goitia

This 1914 canvas exposes the horrors of the Mexican Revolution. Two skeletal corpses hang from a barren tree, their twisted bodies blending with the lifeless landscape, while an owl perches above as a symbol of death. Goitia, who witnessed the battle of Zacatecas, rejected heroic depictions in favor of brutal realism. His work stands as both testimony and condemnation, capturing the trauma of a nation torn by war.

Caravaggio's Roman Period

Judith Beheading Holofernes

Caravaggio

This canvas (c. 1599) painted in Rome embodies Caravaggio’s radical realism and theatrical chiaroscuro. Judith, a young widow, slays the Assyrian general Holofernes to save her people. Her calm determination contrasts with his violent death and the maid’s aged pragmatism. By staging sacred violence with unflinching naturalism, Caravaggio redefined biblical painting as a drama of human courage and divine justice.

Villa Farnesina

Council of the Gods

Raphael

In this scene (1518), Raphael depicts the gods deciding Psyche’s fate. Right to left: Minerva (helmet), Diana (with crescent moon), Jupiter (eagle below), Juno (blue robe), Neptune (trident), Pluto (bident, dog Cerberus), Venus (semi-nude, pointing), Mars (helmet). On the far left, Mercury (caduceus) leads Psyche to Olympus. Cupid kneels before Jupiter, pleading for Psyche’s immortality. The council embodies divine justice, granting the soul eternal union with love.

Museo Luis Alberto Acuña

Bochica Teaching the Muisca

Luis Alberto Acuña

This 1960-70s mural depicts Bochica, the bearded sage and civilizing hero of Muisca mythology, imparting moral and spiritual lessons. Seated before young disciples, he holds symbols of power and knowledge, including a woven banner. A revered figure, Bochica was believed to have formed the Tequendama Falls and taught the Muisca how to live harmoniously.

Basilica of San Giovanni in Laterano

Cosmatesque Columns with Lions and Sphinxes

Vassalletto Workshop

These cloister columns (c.1215), with spiraled shafts and vivid mosaic inlays in the cosmatesque style—a Roman art blending colored marble, glass, and porphyry into geometric patterns—rest on sculpted lions and sphinxes. Crafted by the Vassalletto masters, they unite classical form and Christian meaning, embodying medieval Rome’s vision of divine order through ancient craft.

Dalí Theatre-Museum

Geological Echo. La Pietà

Salvador Dalí

Dalí reinterprets Michelangelo’s La Pietà, merging sacred imagery with surreal geological forms (1982). The figures’ bodies become fragmented landscapes, symbolizing the erosion of memory and time. Created during Gala’s final years, the work reflects personal grief, exploring themes of love, loss, and the unconscious through voids that resonate with emotional depth and introspection.

Villa Farnesina

Cupid Pleads with Jupiter for Psyche

Raphael

In this fresco (1517–18), Raphael depicts the moment when Cupid petitions Jupiter for Psyche’s immortality. Jupiter’s intimate gesture suggests divine consent and compassion, while Cupid’s youthful vulnerability contrasts with the god’s authority. The work reflects Renaissance fascination with classical myths and divine love.

Galleria Borghese

The Council of the Gods (detail)

Giovanni Lanfranco

In this celestial scene from The Council of the Gods (1624–25), Jupiter presides over Olympus, crowned with stars and flanked by his eagle. Surrounding him are Juno, Venus, Mars, and Pluto, their divine forms emerging from clouds. Painted for the Sala della Loggia in Villa Borghese, the fresco evokes the grandeur and illusionistic power of Baroque heaven.

Duomo di Milano

St Bartholomew Flayed

Marco d’Agrate

This marble statue (1562) shows St Bartholomew as a flayed figure, his own skin arranged like a draped garment around an exposed muscular body. Such extreme anatomical precision draws on Renaissance study of dissected cadavers. The saint’s upright stance and calm, frontal gaze demonstrate how martyrdom could be articulated as steadfast faith rather than physical defeat.

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Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

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