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Pinacoteca Ambrosiana

The Holy Family with Sts. Francis, Anthony, Magdalene, John and Elizabeth

Bonifazio Veronese

This oil on canvas (1525–27) shows the Holy Family seated outdoors, with Mary offering fruit to the Christ Child held by Joseph. At their side stand the young Saint John the Baptist and the Archangel Raphael guiding Tobias, who carries a fish. The combination of figures from different episodes may connect to Renaissance interest in linking domestic piety with protective intercession.

Hôtel-Dieu

Archangel Michael

Rogier van der Weyden

This panel (1445–50) from the Beaune Altarpiece shows Archangel Michael weighing souls on Judgment Day. His youthful calm contrasts with the gravity of divine judgment. The richly patterned brocade and peacock-feather wings reflect Burgundian court opulence, linking celestial imagery with the devotional grandeur of 15th-century Flanders.

Tintoretto, Birth of a Genius

Christ and the Adulteress

Tintoretto

This scene (c. 1555) is from the Gospel of John: Jesus responds to scribes and Pharisees demanding judgment on an adulterous woman. His challenge—inviting the sinless to cast the first stone—teaches mercy over condemnation. Tintoretto’s dynamic style appears in the sharp contrasts of light and shadow, elongated figures, and oblique spatial arrangement that intensify the moral tension. Classical architectural elements frame the encounter, emphasizing the conflict between legalism and redemption.

Pinacoteca Ambrosiana

Christ in the Storm on the Sea of Galilee

Jan Brueghel

This oil on copper (1596) shows Christ asleep during a storm as an apostle wakes him amid violent waves on the Sea of Galilee. The heeling boat and twisted sail convey imminent peril, while the darkened sky dramatizes the disciples’ fear. Brueghel’s vivid rendering turns natural turbulence into a meditation on faith and divine control.

Palace of the Inquisition

The Lagoon of Peace

Jorge Alberto Smith Ellas

This 2021 oil and acrylic painting evokes serenity and ancestral rhythm. A golden twilight bathes the rural scene, where everyday life unfolds by a calm lagoon. The composition speaks to Colombia’s Pacific and Caribbean heritage, honoring peace through stillness, memory, and connection to the land.

Galleria Borghese

Apollo and Daphne

Bernini

This electrifying marble group (1622–25) freezes the climax of Ovid’s tale as Daphne begins to turn into a laurel tree to escape Apollo’s grasp. Her fingers sprout leaves, her torso hardens into bark. Bernini renders transformation with astonishing fluidity, embodying Baroque ideals of movement, emotion, and divine drama.

Santa Maria in Aracoeli Basilica

Musical Angels (detail)

Pinturicchio

In this detail (1484–86), Pinturicchio paints two angelic musicians, one playing a violin and the other a wind instrument. Floating on clouds, they contribute to the celestial harmony surrounding Christ in Majesty. The graceful movement of their garments reflects Pinturicchio’s refined sense of rhythm, light, and divine celebration.

Caravaggio's Roman Period

The Lute Player

Caravaggio

This painting (c. 1596) portrays a young musician absorbed in performance. Before him lie a violin, scores, and fruit, symbols of sensuality and transience. Caravaggio uses natural light to animate the delicate textures of skin, cloth, and petals. The figure embodies the Renaissance ideal of harmony between music and emotion, while also hinting at life’s fragility and fleeting pleasures.

Museo Luis Alberto Acuña

Descent from the Cross

Luis Alberto Acuña

Acuña (mid-1950s) renders the moment of Christ’s body being lowered from the cross with emotional gravity and communal sorrow. The composition emphasizes solidarity in grief, surrounding Christ with figures of all ages and backgrounds, reinforcing the universality of human suffering and compassion.

National Museum of the Philippines

Planting of the First Cross

Vicente Manansala

The painting depicts the 1521 event in Cebu where Ferdinand Magellan and Spanish soldiers, with tattooed natives called pintados, planted a cross. Commissioned for the 400th anniversary of Philippine Christianization in 1965, it captures a pivotal historical moment. Manansala’s transparent cubism blends traditional and modern styles, highlighting cultural convergence. The original cross is a historical artifact in Cebu City.

Rodel Tapaya Exhibit "Urban Labyrinth"

The Comedy, Parody, and Tragedy

Rodel Tapaya

This 2018 painting layers crowded shanties, billboards, and tangled walkways with mythic creatures from Philippine folklore. Human figures mingle with spirits and masked characters, blurring everyday life with the supernatural. Bright colors and abrupt shifts in scale evoke noise, congestion, and spectacle. Tapaya unfolds contemporary urban experience as a chaotic folk tale, where comedy, parody, and tragedy coexist in a single scene.

Museo Manuel Felguérez

Zacatecas Landscape with Hanged Men

Francisco Goitia

This 1914 canvas exposes the horrors of the Mexican Revolution. Two skeletal corpses hang from a barren tree, their twisted bodies blending with the lifeless landscape, while an owl perches above as a symbol of death. Goitia, who witnessed the battle of Zacatecas, rejected heroic depictions in favor of brutal realism. His work stands as both testimony and condemnation, capturing the trauma of a nation torn by war.

Santa Maria in Aracoeli Basilica

St. Bernardino (detail)

Pinturicchio

In this detail (1484–1486), Pinturicchio portrays St. Bernardino holding an open book inscribed PATER MANIFESTA NOMEN TUUM OMNIBUS (Father, manifest Your name to all). His raised finger points toward heaven, symbolizing his mission to glorify the Holy Name of Jesus and promote peace amid social discord.

Duomo di Milano

St Bartholomew Flayed

Marco d’Agrate

This marble statue (1562) shows St Bartholomew as a flayed figure, his own skin arranged like a draped garment around an exposed muscular body. Such extreme anatomical precision draws on Renaissance study of dissected cadavers. The saint’s upright stance and calm, frontal gaze demonstrate how martyrdom could be articulated as steadfast faith rather than physical defeat.

Palazzo Borromeo

Tapestry of Fantastical Beasts in a River

Michael Coxcie

Woven in Brussels (c.1565) in a Flemish workshop according to Coxcie's design, this tapestry depicts hybrid beasts and serpents in a dense river landscape reflecting Renaissance fascination with nature’s wildness and moral allegory, symbolizing sin and chaos before divine order.

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Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

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