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Villa Farnesina

Hercules Defeating the Nemean Lion

Baldassare Peruzzi

This fresco (c. 1511) in the Loggia of Galatea shows Hercules wrestling the invulnerable Nemean Lion, one of his Twelve Labors. The hero’s twisting nude body and the lion’s straining muscles emphasize physical struggle and controlled force. As part of a zodiac cycle, the scene represents the sign of Leo and links mythological heroism to Renaissance interests in astrology and humanist virtue.

Chapultepec Castle (National History Museum)

Mexican War of Independence (detail)

Juan OGorman

This mural detail (1960–61) depicts Mexico’s struggle against colonial rule. At center, an Indigenous man is crucified on a tree, symbolizing the suffering of native peoples. Around him, women and children grieve, while men collapse in despair. To the right, Miguel Hidalgo in blue and José María Morelos in clerical robes embody the revolution’s leaders, joined by thinkers holding books and scrolls of Enlightenment ideals.

National Museum of the Philippines

Planting of the First Cross

Vicente Manansala

The painting depicts the 1521 event in Cebu where Ferdinand Magellan and Spanish soldiers, with tattooed natives called pintados, planted a cross. Commissioned for the 400th anniversary of Philippine Christianization in 1965, it captures a pivotal historical moment. Manansala’s transparent cubism blends traditional and modern styles, highlighting cultural convergence. The original cross is a historical artifact in Cebu City.

Tintoretto, Birth of a Genius

Adam and Eve

Tintoretto

Tintoretto’s painting (1550–53) depicts the biblical scene of temptation in the Garden of Eden. Eve offers the forbidden fruit to Adam, with their expulsion illustrated in the background. Influenced by Michelangelo, the composition emphasizes the nude figures and employs oblique lines to structure the landscape. This work reflects the Renaissance interest in human form and moral themes.

Rodel Tapaya Exhibit "Urban Labyrinth"

Instant Gratification

Rodel Tapaya

This work (2018) reinterprets the Filipino fable of The Monkey and the Turtle, placing its lesson within a crowded jungle of gambling stalls and restless figures. Monkeys embody the tale’s impatience and hunger for quick gain, while a small turtle-the steady effort outlasts reckless desire. Log piles, patterned trunks, and theatrical foliage frame a world driven by instant gratification and easy profit. Tapaya adapts indigenous storytelling to expose modern cycles of greed.

Castello Sant'Angelo

Christ Carrying His Cross

Giampietrino

This intense portrait (1520-30) captures the poignant moment of Christ's journey to crucifixion. The crown of thorns, with its vivid drops of blood, symbolizes suffering and sacrifice. Giampietrino, a follower of Leonardo da Vinci, employs chiaroscuro to enhance the emotional depth, highlighting Christ's resigned yet resolute expression. This work reflects Renaissance ideals of human emotion and divine purpose, illustrating the enduring narrative of redemption through suffering.

Castello Sant'Angelo

Emperor Hadrian

Girolamo Siciolante da Sermoneta (attrib.)

This 16th-c. fresco from the Sala Paolina depicts Emperor Hadrian in idealized Roman military attire. Portrayed with commanding calm, Hadrian stands framed by classical architecture and winged putti, symbolizing both earthly rule and divine favor. The work affirms his legacy as builder, humanist, and guardian of imperial order—within the very mausoleum he commissioned.

Caravaggio's Roman Period

The Crowning with Thorns

Caravaggio

This painting (1602–04) depicts Christ humiliated before crucifixion. Crowned with thorns and bound, he stands in silent suffering as soldiers force the reed into his hand and mock him as king. Caravaggio’s harsh chiaroscuro strips away grandeur, presenting raw cruelty and dignity in contrast. The work confronts viewers with the violence of power and the endurance of faith.

Frida Kahlo Museum

Painted Orthopedic Corset

Frida Kahlo

This hand-painted leather corset (c.1944), worn by Frida Kahlo, illustrates both her physical suffering and creative defiance. After spinal injuries and repeated surgeries, Kahlo turned orthopedic braces into canvases, inscribing them with personal symbols. She transformed medical necessity into art, merging pain, identity, and resilience.

Tintoretto, Birth of a Genius

Judith Beheading Holofernes

Jacopo Tintoretto

This painting (c. 1577) by the studio of Jacopo Tintoretto depicts the biblical scene where Judith beheads Holofernes, an Assyrian general, to save her people. Executed in the Mannerist style, it emphasizes tension and emotion, typical of the Late Renaissance. The scene symbolizes courage and divine justice, reflecting the era’s interest in heroic narratives.

Chiesa di Gesù

The Glory of the Holy Spirit

Giovanni Battista Gaulli

This radiant fresco (c. 1679) fills the dome with concentric rings of clouds, gilded ribs, and crowded figures. At the center, the Holy Spirit appears as a white dove in a glowing medallion, encircled by saints and angels swept upward in swirling light. The painted architecture merges with the real cornice, a Baroque illusion that makes the vault seem to open into a realm of revelation.

The Antonino Salinas Regional Archeological Museum

Satyr Pouring Wine

Praxiteles

This Roman marble statue is a copy of Praxiteles’ 4th-c. BC Greek original, depicting a youthful satyr, a companion of Dionysus, pouring wine. Though the pitcher and cup are missing, it captures the revelry and music linked to satyrs. Found near Naples in 1797, it exemplifies Praxiteles’ style with sinuous curves and a naturalistic pose, embodying the carefree spirit of Dionysian myth.

Museu Frederic Marès

The Appearance of Christ to the Disciples

Master of Cabestany

This 12th-c. Romanesque sculpture by the Master of Cabestany depicts Christ revealing himself to his disciples after the resurrection. The artist is known for figures with large heads, flat foreheads, long noses, and almond-shaped eyes. Likely from the monastery of Sant Pere de Rodes, the work exemplifies the Master of Cabestany’s influence across Southern Europe, from Tuscany to Navarre.

Museo Luis Alberto Acuña

Museum Courtyard

Luis Alberto Acuña

This eclectic courtyard blends colonial architecture with fantastical sculptures and lush vegetation. Dinosaurs, jaguars, and snakes emerge from the stone paths, reflecting Acuña’s imaginative fusion of pre-Columbian, mythological, and surrealist influences.

Santa Maria Sopra Minerva

The Risen Christ

Michelangelo

Michelangelo's The Risen Christ (1521) depicts the resurrected Christ holding a cross, symbolizing triumph over death. This marble statue embodies Renaissance humanism, blending classical beauty with spiritual dignity. The idealized nude form reflects the fusion of divine suffering and victory, showcasing Michelangelo's mastery in capturing both physical perfection and profound spiritual themes.

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Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

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