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Mythical Vases: The Heroes of the Jatta National Museum

Pentheus Attacked by Bacchic Women

The Oxford Group Workshop

This Apulian red-figure plate (360–350 BC) shows Pentheus arming himself against Dionysus’ cult. In myth, he is seized by Bacchic women, including his mother Agave, who mistake him for prey and tear him apart. The scene warns against impiety and defying divine power, embodying the tragic cost of resisting Dionysian ecstasy and communal worship.

Pinacoteca Ambrosiana

Madonna del Padiglione

Sandro Botticelli

This tempera painting (c. 1493) shows the Virgin Mary adoring the Christ Child beneath a luxurious red canopy, assisted by angels. Botticelli fuses spiritual intimacy with courtly elegance. The open book and flowering symbols evoke divine wisdom and purity, while the tent references the tabernacle—God’s dwelling among humanity.

Pantheon

Pantheon with Macuteo Obelisk and Fountain

Filippo Barigioni

The Pantheon’s façade (118–125 AD), built under Emperor Hadrian, preserves Agrippa’s earlier inscription (M·AGRIPPA·L·F·COS·TERTIVM·FECIT - Marcus Agrippa, son of Lucius, consul for the third time, built this). Before it stands the Macuteo Obelisk from Egypt (rededicated here in 1711) and the Baroque fountain by Filippo Barigioni (1711), blending imperial Rome, Christian Rome, and papal urban renewal into one historic vista.

Hôtel-Dieu

Archangel Michael Weighing Souls

Rogier van der Weyden

Detail from the Last Judgment Altarpiece (1445–50), created for Beaune’s Hôtel-Dieu. Archangel Michael holds scales to weigh souls, his calm gaze contrasting with the cosmic drama around him. Trumpeting angels herald resurrection, while Michael’s jeweled vestments and red wings embody divine authority. For the hospital’s patients, this image linked earthly suffering to the hope of eternal salvation.

Museo Nazionale Romano Palazzo Massimo

Apollo

Phidias

This ivory mask (5th c. BC) represents Apollo-Greek god of light, music, and prophecy-and once belonged to a chryselephantine statue (a prestigious cult image of ivory and gold). Attributed to Phidias, the master sculptor of classical Greece, it is an exceptionally rare survival of this luxury art form. Looted in 1995 and recovered in 2003, it now serves as both a rare survival of luxury cult sculpture and a reminder of ongoing threats to archaeological heritage.

Frida Kahlo Museum

Painted Orthopedic Corset

Frida Kahlo

This hand-painted leather corset (c.1944), worn by Frida Kahlo, illustrates both her physical suffering and creative defiance. After spinal injuries and repeated surgeries, Kahlo turned orthopedic braces into canvases, inscribing them with personal symbols. She transformed medical necessity into art, merging pain, identity, and resilience.

Rodin Museum

The Thinker

Auguste Rodin

Rodin's iconic bronze sculpture, The Thinker(1904), depicts a nude male figure in deep contemplation, symbolizing profound thought. Originally part of The Gates of Hell, it reflects on philosophy and introspection. This one is the monumental casting, with 27 full-sized versions worldwide. The masterpiece invites viewers to ponder life's complexities, embodying the universal quest for understanding and intellectual pursuit.

Château de Chantilly

Arab Chieftains in Council

Horace Vernet

This 1834 work depicts Arab chieftains in council, likely discussing tribal matters or alliances. Vernet, a French artist known for battle scenes and Orientalist themes, illustrates the 19th-c. European interest in the Orient. The painting reflects the complex interplay of art, culture, and imperialism of the era.

Tintoretto, Birth of a Genius

The Death of Adonis

Tintoretto's Workshop

The Death of Adonis (1550–55) captures Venus fainting at Adonis's death, diverging from Ovid’s Metamorphoses by including young women not in the original tale. Created by a Nordic artist in Tintoretto’s Venetian workshop, it blends Tintoretto’s dramatic style with the collaborator’s unique touch, evident in the expressive figures and vibrant colors. This fusion highlights the shared human themes of love and loss, inviting reflection on the timeless nature of myth and emotion.

Museo Manuel Felguérez

Loyalty from Los Disparates Series

Francisco Goya

This etching (1815–1823) by Francisco Goya, part of the Los Disparates series, explores themes of chaos and irrationality. Featuring grotesque figures, it suggests blind loyalty or foolishness, reflecting the turbulent era of Ferdinand VII’s reign in Spain. Goya’s use of aquatint and etching techniques enhances dramatic contrasts and textures, providing a dark commentary on the social and political upheavals of his time.

Pinacoteca Ambrosiana

Landscape with Hermits

Paul Bril

This landscape (c. 1600) shows monks gathered in a wooded clearing beneath a broad, luminous sky. Their small figures sit or stand along a path that opens toward distant hills. Such scenes appeared in early Baroque painting, especially in northern regions where sacred retreat was a common theme. The composition indicates how artists linked hermitic life with the ordered quiet of nature.

Villa Farnesina

Hercules and the Hydra

Baldassarre Peruzzi

This ceiling fresco (c. 1510) in the Hall of the Perspectives shows Hercules battling the multi-headed Hydra. The creature symbolizes the zodiac sign Cancer, aligning with the room’s astrological theme. Peruzzi demonstrates heroic virtue triumphing over chaos and earthly temptation, reflecting Renaissance ideals of order and moral strength.

Villa Farnesina

The Fall of Phaeton

Sebastiano del Piombo

This fragment (c. 1511) shows Phaeton falling from the sky after failing to control the sun chariot of his father Helios. To save the world, Zeus strikes him down. Part of Sebastiano del Piombo’s mythological cycle at Villa Farnesina, it complements Raphael’s Triumph of Galatea with a dramatic warning against hubris.

Museo Luis Alberto Acuña

Bochica Teaching the Muisca

Luis Alberto Acuña

This 1960-70s mural depicts Bochica, the bearded sage and civilizing hero of Muisca mythology, imparting moral and spiritual lessons. Seated before young disciples, he holds symbols of power and knowledge, including a woven banner. A revered figure, Bochica was believed to have formed the Tequendama Falls and taught the Muisca how to live harmoniously.

Château de Chantilly

Simonetta Vespucci as Cleopatra

Piero di Cosimo

This painting (c. 1480) by di Cosimo depicts Simonetta Vespucci as Cleopatra, with an asp coiled around her neck. Created posthumously, it honors Vespucci’s beauty; she died in 1476 at 23. The profile view echoes medal portraits, while the snake may symbolize her death from tuberculosis. The serene landscape and sky enhance her ethereal presence, making this work a poignant tribute.

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Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

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