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Galleria Spada

A Man with a Glove

Titian

This introspective portrait (c. 1515) captures a bearded man in mid-turn, scroll in hand, his gaze piercing yet reserved. Rendered with Venetian richness, the work highlights the sitter’s intellect and social poise. The subtle play of light on fabric and flesh reveals Titian’s early mastery of psychological depth and painterly nuance.

Pinacoteca Ambrosiana

Adoration of the Christ Child

Workshop of Domenico Ghirlandaio

This tondo (c. 1485–1490) shows Mary and Joseph adoring the infant Christ, lying humbly on the earth. The sarcophagus-like manger prefigures his Passion, while the ox and donkey fulfill Isaiah and Habakkuk’s prophecy of animals recognizing the Lord. The scene binds intimacy, humility, and cosmic redemption.

Jardin des Tuileries

The Tree of Vowels

Giuseppe Penone

This monumental bronze sculpture (2000) shows a fallen oak with roots extending like veins across the ground. Installed in the Jardin des Tuileries, it demonstrates Penone’s exploration of the connection between humanity and nature. The work combines organic memory with sculptural permanence, inviting reflection on time, fragility, and the endurance of natural forms.

Pinacoteca Ambrosiana

The Entombment of Christ

Titian and Palma the Younger

A poignant rendering of Christ’s burial, this oil on canvas (1618) was begun by Titian and completed by Palma the Younger. The composition captures collective grief, emphasizing the physical weight of death and the emotional weight of loss. The figures’ gestures and expressions mirror Renaissance ideals of pathos and human dignity.

Dalí Theatre-Museum

A Soft Watch to Cause a Young Ephebe to Die

Salvador Dalí

Dalí’s 1971 painting explores surrealist themes of time and mortality. A lifeless youth draped in a melting clock symbolizes the decay of ideal beauty. Hovering figures and a burning sky enhance the dreamlike tragedy, reflecting Dalí’s interest in the collapse of classical ideals. The work underscores his preoccupation with the relentless passage of time and its impact on human existence.

Caravaggio's Roman Period

The Supper at Emmaus

Caravaggio

This painting (c.1606) focuses on Christ’s quiet gesture and the attentive figures around him. Subtle expressions replace dramatic shock, emphasizing intimacy over display. Caravaggio draws revelation into the realm of the ordinary, showing faith as recognition that dawns quietly amid human fragility.

Museo Luis Alberto Acuña

Mural of Huitaca the Rebellious Deity

Luis Alberto Acuña

This mural (1950s) portrays Huitaca, a sensual Muisca goddess of pleasure and disorder, who defied Bochica, the culture hero who taught law, farming, and morality. Condemned for her rebellion, she was transformed into an owl. Her winged form here embodies the clash between instinct and discipline, chaos and cosmic order at the heart of Muisca belief.

Galleria Borghese

Boy with a Basket of Fruit

Caravaggio

This early Baroque painting (c. 1593) merges portraiture with still life, showing Mario Minniti holding a basket of overripe fruit. Caravaggio renders blemishes and textures with unflinching realism. The sensual posture and decaying abundance evoke themes of youthful beauty, ephemerality, and temptation.

Galleria Borghese

Madonna and Child with St Anne (Madonna dei Palafrenieri)

Caravaggio

This bold altarpiece (1605–06) shows the Virgin Mary guiding the Christ Child as he crushes a serpent—symbol of original sin. St Anne watches solemnly, evoking generational grace. Caravaggio’s realism and chiaroscuro infuse the holy scene with human emotion, provoking awe and controversy upon its brief display in St Peter’s.

Museo Luis Alberto Acuña

The Witch of Zascandil

Luis Alberto Acuña

This portrait (1991) shows the Witch of Zascandil, a figure rooted in Colombian folklore. Sharp features and widened eyes create a tense, exaggerated profile. The name Zascandil refers to a trickster or wandering mischief-maker in regional stories. The image indicates how rural mythology blends satire, fear, and ancestral belief.

Galleria Borghese

Aeneas, Anchises, and Ascanius

Bernini

This early masterpiece (1618–19) shows Aeneas carrying his father Anchises and leading his son Ascanius as they flee Troy. Anchises holds the Penates (household gods safeguarding family and hearth), while Ascanius carries a flame, symbol of Rome’s divine lineage. Bernini unites filial duty, piety, and sacrifice with striking youthful vigor.

Villa Farnesina

The Triumph of Galatea

Raphael

In this fresco (c. 1512), Raphael transforms Galatea’s myth into a celebration of divine beauty. The sea nymph rides a shell chariot drawn by dolphins (linked to Venus), while cupids shoot arrows symbolizing love’s universal power. Though the original tale includes jealousy and tragedy, Raphael omits them, presenting an idealized vision of harmony and grace.

Rodel Tapaya Exhibit "Urban Labyrinth"

The Comedy, Parody, and Tragedy

Rodel Tapaya

This 2018 painting layers crowded shanties, billboards, and tangled walkways with mythic creatures from Philippine folklore. Human figures mingle with spirits and masked characters, blurring everyday life with the supernatural. Bright colors and abrupt shifts in scale evoke noise, congestion, and spectacle. Tapaya unfolds contemporary urban experience as a chaotic folk tale, where comedy, parody, and tragedy coexist in a single scene.

Chateau

Temple of Love

Richard Mique

Erected in the gardens of the Petit Trianon (1778), this neoclassical rotunda shelters a sculpture of Cupid and symbolizes Marie Antoinette’s idealized vision of romance and pastoral escape. Designed by architect Richard Mique, the temple reflects Enlightenment-era aesthetics and the queen’s longing for simplicity within Versailles’ opulence.

Rodin Museum

The Cathedral

Auguste Rodin

This 1908 sculpture features two right hands reaching towards each other, symbolizing connection and unity. Initially named The Arch of Alliance, it was inspired by Gothic cathedral rib vaults and renamed in 1914. The texture and interplay of light and shadow evoke prayer and contemplation. This work marks Rodin’s shift from realism to modernism, emphasizing emotional depth over physical form.

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Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

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