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Chapultepec Castle (National History Museum)

Mexican War of Independence (detail)

Juan OGorman

This mural detail (1960–61) depicts Mexico’s struggle against colonial rule. At center, an Indigenous man is crucified on a tree, symbolizing the suffering of native peoples. Around him, women and children grieve, while men collapse in despair. To the right, Miguel Hidalgo in blue and José María Morelos in clerical robes embody the revolution’s leaders, joined by thinkers holding books and scrolls of Enlightenment ideals.

Pinacoteca Ambrosiana

The Infant Jesus with a Lamb

Bernardino Luini

This oil and tempera on panel (c. 1525) captures the tenderness of the Infant Jesus, or Gesu Bambino, embracing a lamb—a symbol of his future sacrifice as the Lamb of God. Luini’s High Renaissance style blends divine purity and human innocence, creating a serene image of spiritual love and redemptive foreshadowing.

Galleria Borghese

The Council of the Gods

Giovanni Lanfranco

Lanfranco’s grand ceiling fresco (1624–25) fills the Sala della Loggia with divine spectacle. Jupiter reigns at the center, surrounded by Roman deities including Venus, Mars, Pluto, and Juno. Designed to dissolve architectural limits, the illusionistic sky transforms the ceiling into a heavenly theater of Baroque power and myth.

Palacio de Bellas Artes

Lenin and the Workers (detail)

Diego Rivera

In this vivid section of Man, Controller of the Universe (1934), Lenin extends his hand to unite workers of different races and backgrounds. His central placement amid galaxies and scientific motifs reflects Rivera’s belief in a revolutionary, rational future led by socialist ideals and global class solidarity.

Palacio de Bellas Artes

Inframundo Maya

Rina Lazo

In this mural (2019), Lazo reimagines Xibalba—the Mayan underworld—through the lens of the Popol Vuh. The Hero Twins traverse rivers, deities oversee sacrifice and desire, and spirits haunt the sacred landscape. Blending myth and memory, the artist fuses political vision with ancestral wisdom in her final celebration of Maya cosmology.

Galleria Borghese

The Council of the Gods (detail)

Giovanni Lanfranco

In this celestial scene from The Council of the Gods (1624–25), Jupiter presides over Olympus, crowned with stars and flanked by his eagle. Surrounding him are Juno, Venus, Mars, and Pluto, their divine forms emerging from clouds. Painted for the Sala della Loggia in Villa Borghese, the fresco evokes the grandeur and illusionistic power of Baroque heaven.

Bourdelle Museum

Hercules the Archer

Antoine Bourdelle

This plaster sculpture (1906–09) shows Hercules, the Greek hero, drawing his bow with taut energy. Bourdelle captures both physical strain and mythic power, fusing classical subject with modern dynamism. The work marks a turning point in early 20th-c. sculpture, bridging academic tradition with expressive innovation.

Mythical Vases: The Heroes of the Jatta National Museum

The Capture of the Cretan Bull

Lycungus Painter

Heracles grapples with the Cretan bull, locking its horns as the animal lunges, while Athena and a youthful attendant stand calmly among stylized trees. The scene represents his seventh labour, subduing the bull sent by Poseidon after King Minos withheld a promised sacrifice. This Apulian red-figure volute krater (mixing bowl) (360–345 BC) reflects South Italian interest in myth as a drama of human strength under divine supervision.

Galleria Borghese

Adoration of the Child (detail)

Fra Bartolomeo

This tondo or circular painting (c.1495), Mary and Joseph kneel in reverence before the infant Christ, who rests on a sack amid delicate vegetation. The ruined architecture behind them symbolizes the fall of paganism, while the balanced composition and radiant palette reflect Bartolomeo’s early embrace of Renaissance ideals.

Raphael/Giulio Romano - The Fire in the Borgo

Fire in the Borgo

Rapahael and Giulio Romano

This fresco (1514) captures a legendary fire in Rome's Borgo district, illustrating divine intervention through Pope Leo IV's prayer. The fresco, part of the Raphael Rooms in the Vatican, blends classical and Renaissance elements, showcasing dynamic figures and architectural precision. This work reflects the era's belief in the power of faith and the church's central role in societal protection and order.

Raphael - The Disputation of the Sacrament

Christ in Glory (detail)

Raphael

The radiant figure of the risen Christ (1508–10) crowns the celestial register of The Disputation of the Sacrament. His raised hand and visible wounds recall both his Passion and his role as judge at the end of time. Encircled by golden rays, he visually affirms the doctrine of the Eucharist as the enduring, real presence of Christ.

Chateau

Temple of Love

Richard Mique

Erected in the gardens of the Petit Trianon (1778), this neoclassical rotunda shelters a sculpture of Cupid and symbolizes Marie Antoinette’s idealized vision of romance and pastoral escape. Designed by architect Richard Mique, the temple reflects Enlightenment-era aesthetics and the queen’s longing for simplicity within Versailles’ opulence.

Raphael - The School of Athens

Raphael and Perugino (detail)

Raphael

This section of The School of Athens (1509-11) features a rare self-portrait of Raphael (center) alongside his teacher Perugino (right). Originating from the Italian High Renaissance, the work subtly inserts the artist into the legacy of classical knowledge, aligning painters with philosophers as bearers of intellectual ideals.

Basilica of San Giovanni in Laterano

Cosmatesque Columns with Lions and Sphinxes

Vassalletto Workshop

These cloister columns (c.1215), with spiraled shafts and vivid mosaic inlays in the cosmatesque style—a Roman art blending colored marble, glass, and porphyry into geometric patterns—rest on sculpted lions and sphinxes. Crafted by the Vassalletto masters, they unite classical form and Christian meaning, embodying medieval Rome’s vision of divine order through ancient craft.

Galleria Borghese

Young Sick Bacchus

Caravaggio

This self-portrait (c. 1593) shows Caravaggio as Bacchus with jaundiced skin and tense features, painted while recovering from illness. The ivy crown replaces the usual vine leaves, subverting divine idealism. Both sensual and unsettling, the image mocks classical beauty and reveals the artist’s own physical vulnerability.

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Max Tabachnik
Max Tabachnik
41 Countries • 114 Cities • 283 Landmarks
Meet Max

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

“When the path is beautiful, do not ask where it leads.” — Zen proverb

Welcome to my travel photography!

For as long as I can remember, my path has been one of discovery—seeking beauty, timelessness, and connection in every corner of the world. It has also been a journey of deep learning and understanding. I’ve been an avid traveler (or perhaps a travel addict?) for most of my life. My love for travel began long before I ever left home: as a child, I drew a fantasy map of my grandparents’ apartment and “traveled” through it with my cousin Sonya, imagining adventures in every corner. Nearly 90 countries and countless moments of awe later, I’m excited to share this journey with you.

Thanks to the tireless and ingenious programming of Diagilev, we’re now able to present about fifteen percent of the images I’ve accumulated over the years. More will be released in small batches depending on your interest. While the first release leans toward museum photography, later ones will include more nature, architecture, culture, and general travel experiences. If you’d like to receive email notifications about new releases, feel free to reach out—no commercial use, ever.

Throughout my travels, I’ve been drawn to two intertwined kinds of discovery. One is intellectual: learning why the world is the way it is. History became my guide, shaping my perspective and filling my camera roll with museums and old buildings. To me, history is not the past—it is the key to understanding the present and how the world became what it is. The other is emotional: seeking moments of elevation—spirituality, beauty, harmony—often found in nature, monasteries, and ancient sacred spaces. Together, these impulses shape my photography. It invites you to learn, admire, and soar—to rise above the mundane and see the world through a lens of curiosity and wonder.

Much of my later travel became possible thanks to my job with Delta Air Lines, but the wanderlust began years earlier. By the time I joined the industry, I had already visited over 35 countries and lived in several—largely thanks to a backpacking journey around the world with Luis León, whose face appears in many early photos. I grew up in Ufa in the USSR, and since leaving it I have lived, studied, and worked in Latvia, the United States, France, South Korea, Canada, Spain, Italy, Brazil, Japan, and Colombia.

A life of near-constant movement may seem a little crazy, but it has deepened my understanding of the world and produced the photography you are about to see. Over the years, my style has evolved—more intentional, more refined—yet its core remains the same: a search for understanding, timeless beauty, and a connection to those who walked this earth long before us.

I hope these photos stir something in your soul, just as they did in mine. I’d love to hear from you—whether reactions, suggestions, corrections, or a request to be added to the email list for new releases (no commercial use, I promise). You can learn more about my travels here, and my academic life here.

Enjoy our shared journey!

Want to reach Max with a question, collaboration idea, academic inquiry, media proposal, or a thoughtful note? Use the form below and your message will go directly to him.

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