The Virgin and Blessing Child Enthroned
Grotesque Ceiling DecorationChrist Carrying His CrossSaint Michael the ArchangelGrotesque Fantasy with BeastsEmperor HadrianArchangel MichaelApollo and DaphneAngel with the SudariumPsyche Awakens CupidThe Battle of ZamaThe Abduction of EuropaPerseus Beheads the Sea MonsterPsyche and the Old WomanMausoleum of HadrianPanoramic View from Castel Sant’AngeloChrist in LimboThe Miracle of the AngelThe BathMythological Ceiling with Stucco ReliefLamentation over the Dead ChristTritons and Naiads in CombatMarine Deity with CornucopiaSt. Michael the ArchangelCeiling of the Sala PaolinaLeda and the SwanFestina LenteAquatic Satire with TurtlesBaboons with FruitView Toward the Altare della Patria from Castel Sant’AngeloArchangel Michael in BattlePerseus Slays the Sea MonsterPan and a NymphPerseus Approaches AndromedaSt. Michael and Grotesque MotifsRooftop Catapult and AmmunitionMarine Deities and Serpentine CreaturesThe Virgin and Blessing Child EnthronedMarine Procession of Tritons and NereidsMax at Castel Sant’Angelo TerraceCupid and PsycheNaumachia in the Belvedere CourtyardSea Procession with Tritons and NereidsEmbracing TritonsAllegory with ChimeraTritons and Sea CreaturesThe Miracle of the Angel

The Virgin and Blessing Child Enthroned

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This sculpted and painted wood group (1290–1310) from the Umbrian-Abruzzese school shows the Virgin enthroned with the Christ Child on her lap. The Child raises his right hand in blessing and holds a book, a standard attribute of sacred teaching. The school, active between central Italy’s hill towns, favored elongated figures and clear frontality in painted and carved works. These traits, along with the preserved polychromy, articulate regional ideals of authority in devotional images.