Avarice and Lust Sculpture
The ThinkerThe Gates of HellPsyche-Spring Marble SculptureDanaid Marble SculptureThe Kiss Sculpture by RodinThe Tempest SculptureThe CathedralAdam and EveWheat Fields in ArlesStudy for the Monument to BalzacThe Devils Hand SculptureMonument to BalzacPlaster Study for the Monument to BalzacPortrait of Père TanguyThe Prodigal SonPerseus and MedusaThe SecretThe Burghers of CalaisThe Fish WomanYoung Mother in the GrottoAcademic Study of a Male NudeNude WomanLa Vague, sculpture by Camille ClaudelStudy of a Man from BehindThe BenedictionsAvenue of Plane Trees Near ArlesPortrait of Auguste RodinFarm in Orchard Near GroenendaelThe Man and His Thought SculptureAvarice and Lust SculptureThe Age of Bronze SculptureDamned Women or The Kiss SculptureSaint John the Baptist Preaching SculptureBronze Bust of Auguste RodinShoulao Seated on a Deer SculptureFarewell Bust in PlasterNymphs Playing Marble SculptureThe Death of Adonis SculptureThe Old Courtesan SculptureThe Three Shades Sculpture

Avarice and Lust SculptureAuguste Rodin

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Auguste Rodin’s sculpture, Avarice and Lust (before 1888), explores greed and desire. Originally part of The Gates of Hell, it features a man symbolizing avarice, adapted from The Falling Man with altered arms, head, and hair. A woman embodies lust, offering her body. Rodin transforms human forms into metaphors, capturing the tension between desire and reality, reflecting his exploration of human emotion and moral conflict.