Damned Women or The Kiss Sculpture
The ThinkerThe Gates of HellPsyche-Spring Marble SculptureDanaid Marble SculptureThe Kiss Sculpture by RodinThe Tempest SculptureThe CathedralAdam and EveWheat Fields in ArlesStudy for the Monument to BalzacThe Devils Hand SculptureMonument to BalzacPlaster Study for the Monument to BalzacPortrait of Père TanguyThe Prodigal SonPerseus and MedusaThe SecretThe Burghers of CalaisThe Fish WomanYoung Mother in the GrottoAcademic Study of a Male NudeNude WomanLa Vague, sculpture by Camille ClaudelStudy of a Man from BehindThe BenedictionsAvenue of Plane Trees Near ArlesPortrait of Auguste RodinFarm in Orchard Near GroenendaelThe Man and His Thought SculptureAvarice and Lust SculptureThe Age of Bronze SculptureDamned Women or The Kiss SculptureSaint John the Baptist Preaching SculptureBronze Bust of Auguste RodinShoulao Seated on a Deer SculptureFarewell Bust in PlasterNymphs Playing Marble SculptureThe Death of Adonis SculptureThe Old Courtesan SculptureThe Three Shades Sculpture

Damned Women or The Kiss SculptureAuguste Rodin

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Auguste Rodin’s sculpture, created 1885–1890, was initially part of The Gates of Hell. It depicts the passionate embrace of lovers, possibly Paolo and Francesca from Dante’s Inferno. Known for its sensuality, the piece explores themes of love and desire. Multiple versions exist in various materials, each capturing the universal allure of romance. Some interpretations suggest the lovers’ embrace pauses before their lips meet, adding tension to the celebrated work.