The Rape of Proserpina
Pauline Bonaparte as Venus Victrix
The Rape of ProserpinaThe Rape of ProserpinaThe Rape of ProserpinaThe Rape of ProserpinaThe Rape of ProserpinaThe Rape of ProserpinaThe Rape of ProserpinaCerberus
Adoration of the ChildDavidApollo and DaphneThe Council of the GodsSaint Jerome WritingAeneas, Anchises, and AscaniusThe EntombmentYoung Sick BacchusDavid with the Head of GoliathApollo and Daphne with The Apotheosis of RomulusMadonna and Child with St AnneRoman Civilization and the Heroic Virtue of HonorBoy with a Basket of FruitSacred and Profane LoveMax Amid Roman EchoesThe Apotheosis of RomulusTruth Unveiled by TimeBust of Cardinal Scipione BorgheseYoung Woman with a UnicornHistoric Gardens of Villa BorgheseAtlantes and DeitiesMax aming Berninis and CaravaggiosPope Paul V BorghesePope Paul VMax Contemplates Bernini’s Pluto and ProserpinaVenus Blindfolding CupidFireplace

The Rape of ProserpinaGian Lorenzo Bernini

1218
From this angle, Bernini’s technical genius is apparent. Pluto’s gripping hands sink into Proserpina’s flesh with astonishing realism, turning marble into living form. The work (1621–22) stages emotional and physical tension at its peak, embodying the Baroque goal of stirring awe, drama, and pathos in a single breathtaking moment.