Aeneas, Anchises, and Ascanius
Pauline Bonaparte as Venus VictrixThe Rape of ProserpinaAdoration of the ChildDavidApollo and DaphneThe Council of the GodsSaint Jerome Writing
Aeneas, Anchises, and AscaniusAeneas, Anchises, and AscaniusAscanius
The EntombmentYoung Sick BacchusDavid with the Head of GoliathApollo and Daphne with The Apotheosis of RomulusMadonna and Child with St AnneRoman Civilization and the Heroic Virtue of HonorBoy with a Basket of FruitSacred and Profane LoveMax Amid Roman EchoesThe Apotheosis of RomulusTruth Unveiled by TimeBust of Cardinal Scipione BorgheseYoung Woman with a UnicornHistoric Gardens of Villa BorgheseAtlantes and DeitiesMax aming Berninis and CaravaggiosPope Paul V BorghesePope Paul VMax Contemplates Bernini’s Pluto and ProserpinaVenus Blindfolding CupidFireplace

Aeneas, Anchises, and AscaniusBernini

1152
This dynamic trio (1618–19) captures Aeneas fleeing Troy, bearing his father Anchises and guiding his son Ascanius. Each figure embodies a Roman virtue: piety, memory, and hope. One of Bernini’s earliest masterpieces, it blends classical myth with Baroque vitality, inaugurating a new sculptural language of movement, emotion, and legacy.