Apollo and Daphne
Pauline Bonaparte as Venus VictrixThe Rape of ProserpinaAdoration of the ChildDavid
Apollo and DaphneApollo and DaphneApollo and DaphneApollo and DaphneApollo and DaphneDaphne’s Transformed Feet
The Council of the GodsSaint Jerome WritingAeneas, Anchises, and AscaniusThe EntombmentYoung Sick BacchusDavid with the Head of GoliathApollo and Daphne with The Apotheosis of RomulusMadonna and Child with St AnneRoman Civilization and the Heroic Virtue of HonorBoy with a Basket of FruitSacred and Profane LoveMax Amid Roman EchoesThe Apotheosis of RomulusTruth Unveiled by TimeBust of Cardinal Scipione BorgheseYoung Woman with a UnicornHistoric Gardens of Villa BorgheseAtlantes and DeitiesMax aming Berninis and CaravaggiosPope Paul V BorghesePope Paul VMax Contemplates Bernini’s Pluto and ProserpinaVenus Blindfolding CupidFireplace

Apollo and DaphneBernini

1197
Seen from behind, Bernini’s figure (1622–25) shows Apollo in full stride, his drapery lifted by sculpted wind that animates the marble. Daphne’s emerging bark and halted motion arrest the pursuit at its decisive instant. The contrast between his forward thrust and her transformation articulates a moment where desire collides with divine refusal.