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Ecce Homo
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Ecce HomoAfter Titian

This painting (second half of the 16th c.), after Titian’s Ecce Homo, portrays Christ at the moment he is shown to the crowd. His lowered gaze, crown of thorns, and bound hands convey restrained anguish and spiritual endurance. The work preserves the original’s emotional gravity, exemplifying how Venetian style shaped later devotional art across Europe.
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